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Le visage du pouvoir

Les Souverains Hellénistiques Entre Texte Et Image

Bibliographic Data

ID4082332
AuthorsEstelle Galbois (corresponding author)
Year2013
Issue93
Pages111-129
Publication date2013-11-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenuePallas (JOURNAL)
Journal identifiersISSN: 0031-0387 • E-ISSN: 2272-7639
PublisherOpenEdition (PUBLISHER)
DOI10.4000/pallas.1393
OpenAlexW53649482
LanguageEN
References cited11

The royal portrait in the Hellenistic period is both the image of an individual and the representation of an ideology. I intend to show in this paper, by using literary sources and iconographic documentation, how to build a portrait of the prince at that time. With this aim in mind, two iconographic types, widely adopted to represent the sovereign, the “Nikator” and the “Tryphon”, will be studied. These iconographic types allow us to wonder about the expression of power in the Hellenistic world. In the texts, as well as in the pictures, the portrait of the monarch, although true to life, is highly codified

Art · Art history · Face (sociological concept · Humanities · Linguistics · Portrait · Ancient Mediterranean Archaeology and History · Byzantine Studies and History · Classical Antiquity Studies · Philosophy

  • Le pouvoir séleucide

    Open Access•Laurent Capdetrey•Le pouvoir séleucide•2007

  • Faces of Power

    Andrew Stewart•Faces of Power•1994

  • La Tryphé, philosophie royale ptolémaïque

    Julien Tondriau•Revue des Études Anciennes•1948

  • Les portraits de Ptolémée III évergète et la problématique de l'iconographie lagide de style grec

    François Queyrel•Journal des savants•2002

  • Sculptures grecques et lieux de mémoire

    Open Access•François Queyrel•Perspective•2012

  • Un jeu de regards. Réflexions sur l'élaboration du portrait royal dans la peinture hellénistique

    Open Access•Estelle Galbois•Pallas•2013

Citation velocityhistorical
Highly citedNo

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