Everyday Aesthetics
Prosaics, the Play of Culture and Social Identities
Bibliographic Data
| ID | 4160443 |
|---|---|
| Authors | Yuriko Saito (0009-0002-0452-9203, Rhode Island School of Design, corresponding author) |
| Year | 2008 |
| Volume | 48 |
| Issue | 4 |
| Pages | 461-463 |
| Publication date | 2008-10-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | The British Journal of Aesthetics (JOURNAL) |
| Journal identifiers | ISSN: 0007-0904 • E-ISSN: 1468-2842 |
| Publisher | Oxford University Press (PUBLISHER • GB) |
| DOI | 10.1093/aesthj/ayn037 |
| OpenAlex | W2014837420 |
| Language | EN |
| Citations received | 28 |
THIS book can be characterized as an proclamation of the emancipation of aesthetics. The author challenges almost all the assumptions underlying modern Western aesthetic discourse that have restricted and stagnated its development. By developing a systematic account of the aesthetics of everyday life, she takes the aesthetic discourse to a more open and wide-ranging set of possibilities. In so doing , she restores the true mission of aesthetics: to ‘safeguard the quality of life and the respect for the integrity of human sensibility’ (p. 97). Mandoki first reviews prevalent features of modern Western aesthetic discourse, characterized variously as ‘fetishes’, ‘fears’, and ‘myths’. They include an attempt to maintain its purely philosophical mode, exclusive focus on art and beauty, object-centered analysis in search of aesthetic qualities, the tendency to capture only out-of-the-ordinary experiences divorced from everyday life, separation of the aesthetic from the other spheres of human experience, and the synonymity of art and aesthetics. All of these assumptions are misleading and unproductive, according to Mandoki, because art and beauty constitute only a fraction of the aesthetic, our aesthetic life cannot be divorced from the rest of our life experiences, and its complex nature cannot be adequately captured by philosophical analyses alone. Her review of the major aesthetic theories of the past century is thorough and comprehensive, and her criticisms are direct and quite bold, making this one of the most exciting aspects of the book
Aesthetics · Art · Beauty · Emancipation · Epistemology · Everyday Aesthetics · Everyday life · Literature · Political science · Politics · Sensibility · Sociology · Environmental Philosophy and Ethics · Ethics, Aesthetics, and Art · Law · Phenomenology and Existential Philosophy · Philosophy
The Sense of Earthiness
Practices of Islamic Preaching
Aesthetics and the Arts of Engagement
Jazzing through the luminiferous ether
How artworks modify our perception of the world
Finding “Sense” without Co-Presence
Navigating the Familiar
Writing about Everyday Beauty
Estéticas Cotidianas Escolares
Crafted assemblage
Sustaining Urban Public Spaces through Everyday Aesthetic Cosmopolitanism
Objects, affects, aesthetics
Lugaridad. Notas sobre una causa perdida
Community Sense
Zarathustra's Animals
What’s the Sense of a Classroom? Sensory Perception in Classrooms and Relationships with Nature in the Wake of Covid-19
An Introduction to Everyday Aesthetics in Education
Music Workshops as Social Aesthetic Contributions to Cultivating Community Sensibilities
Sport and Art
El Festival “Comparte por la Humanidad”. Estéticas y poéticas de la rebeldía en el movimiento Zapatista
Pragmatism, Praxis, and Naturalism
Chilean School Façades
All the Beautiful Things’
Books for review
Reconsidering time in schools
Frauds, Posers And Sheep
Aesthetics of Care
Bureaucratic aesthetics
| Unique citing works | 28 |
|---|---|
| Citations per year | 1,56 |
| Citation span | 2008 - 2025 (18) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 27 |