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Morning, Paramin

Derek Walcott, Peter Doig, and an Ekphrasis of Relation

Bibliographic Data

ID4223413
AuthorsMaria Cristina Fumagalli (0000-0003-3227-480X, 1 University of Essex, corresponding author)
Year2018
Volume92
Issue3-4
Pages245-273
Publication date2018-12-07
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueNew West Indian Guide / Nieuwe West-Indische Gids (JOURNAL)
Journal identifiersISSN: 1382-2373 • E-ISSN: 2213-4360
PublisherWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.1163/22134360-09203002
OpenAlexW2803370994
LanguageEN
Citations received1
References cited6

In Morning, Paramin (2016), 51 new poems by Derek Walcott are in dialogue with 51 paintings by Peter Doig. Walcott, also an accomplished painter, has often engaged with the visual arts, but this is the first volume in which every poem "cor-responds" to a painting, offering unique opportunities to examine Walcott's ekphrastic practices and the way in which they might offer alternatives to current paradigms. Rejecting the paradigm of a paragonal struggle for dominance, I will argue that Morning, Paramin is shaped by an ekphrasis of Relation (resonating with Glissant's poetics of Relation) in which the verbal and the visual interact in complex ways, exercising mutual reclaimings of agency and transformative dialogues that engender new composite works of art governed by a noncompetitive, nonexploitative approach; as otherness is reconfigured, the right to "opacity" is upheld, and each image and word contribute to a whole bigger than the sum of its parts

Aesthetics · Art · Art history · Epistemology · Literature · Morning · Painting · Poetics · Poetry · Sensibility · Sociology · The arts · Transformative learning · Visual arts · Computer Science · Geographies of human-animal interactions · Philosophy · Public Spaces through Art · Visual Culture and Art Theory

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Unique citing works1
Citations per year0,08
Citation span2014 - 2014 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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