Documentary Is/Not a Name
Bibliographic Data
| ID | 4300342 |
|---|---|
| Authors | Trinh T Minh-Ha, Trinh T Minh‐ha (corresponding author) |
| Year | 1990 |
| Volume | 52 |
| Pages | 76 |
| Publication date | 1990-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | October (JOURNAL) |
| Journal identifiers | ISSN: 0162-2870 • E-ISSN: 1536-013X |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/778886 |
| OpenAlex | W2323424606 |
| Language | EN |
| Citations received | 40 |
There is no such thing as documentary-whether the term designates a category of material, a genre, an approach, or a set of techniques. This assertion-as old and as fundamental as the antagonism between names and reality-needs incessantly to be restated, despite the very visible existence of a documentary tradition. In film, such a tradition, far from undergoing crisis today, is likely to fortify itself through its very recurrence of declines and rebirths. The narratives that attempt to unify/purify its practices by positing evolution and continuity from one period to the next are numerous indeed, relying heavily on traditional historicist concepts of periodization
Art · Linguistics · Cinema and Media Studies · History · Italian Fascism and Post-war Society · Philosophy
La promesa multimodal
Arthur Omar, Trinh T. Minh-ha e as respostas à colonização da representação cinematográfica do “real”
Critique du documentaire
Noisy Feeds
The New Religious Wave in Israeli Documentary Cinema
Documentary
Participatory Video for Decolonizing Planning Practice
Relating through the coast – Poetic documentary film and archipelagic thinking
IJSD Volume 12 2021 This Is Where We Dance Now
Moving with the Screen on Zoom
Documentary(‘s) Challenges in the Anthropocene
The making of the citizen-spectator in postmillennial Hong Kong
Mê Thảo Thời Vang Bóng (The Glorious Time in Mê Thảo Hamlet). 2002. Directed by Việt Linh, 108 minutes. Vietnam
Contaminations musicales et hiérarchies vocales. Filmer la transmission des anent avec les Achuar
On the Waterfront
Flamenco Music and Documentary
Desde el pantano
Through Prisms
Revisiting the ethnographic turn in contemporary art
The Making-Of
Heterodox mediations. Notes on Walid Raad’s The Atlas Group
Between documentality and imagination
Women, body and war
Pushing the boundaries of the historical documentary
Recounting “History”
From the field to the screen
Elements of Vogue
Speculative Documentarian Practices—An Expanding Materialist Turn Towards Uncertainty
That’s My Life Jacket!” Speculative Documentary as a Counter Strategy to Documentary Taxidermy
In Defence of Formal Experimentation
Songs from India and Zanzibar
Monumental Names
Mirrors without Memories
A escuta como ato de composição
Residues of a Dream World
Feminist Sensory Ethnography
Searching for a Storyteller, Remediating the Archive
Getting our hands dirty (again)
Living dangerously
Beyond authenticity
| Unique citing works | 40 |
|---|---|
| Citations per year | 1,14 |
| Citation span | 1991 - 2026 (36) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 37 |