Techniques of the Observer
Bibliographic Data
| ID | 4300745 |
|---|---|
| Authors | Jonathan Crary (corresponding author) |
| Year | 1988 |
| Volume | 45 |
| Pages | 3 |
| Publication date | 1988-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | October (JOURNAL) |
| Journal identifiers | ISSN: 0162-2870 • E-ISSN: 1536-013X |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/779041 |
| OpenAlex | W2059033618 |
| Language | EN |
| Citations received | 127 |
ion necessary for Brewster's industrial delirium is made possible by same forces of modernization that allowed Baudelaire to use kaleidoscope as a model for kinetic experience of the multiplicity of life itself and flickering race of all its elements.44 43. Sir David Brewster, The Kaleidoscope: Its History, Theory, and Construction [1819], rpt. London, John Murray, 1858, pp. 134-136. 44. Charles Baudelaire, Le peintre de la vie moderne, Oeuvres complites, Paris, Gallimard, 1961, p. 1161
Aesthetics · Art · Art history · Brewster · Humanities · Kaleidoscope · Optics · Physics · Visual arts · French Literature and Poetry · Philosophy
Panoramic Vision
Disciplina, Fantasmagoria e Espetáculo
Running against the boundaries
The New Mind
Experiments of Destruction
The Box of Digital Images
The City from Thirty Thousand Feet
Anamorphosis and the Eccentric Observer
Anamorphosis and the Eccentric Observer
Digital Media, Artificial Life, and Postclassical Cinema
Introducing i‐Docs to geography
In the Eye of the Beholder
Helmholtz's Kant revisited (Once more). The all-pervasive nature of Helmholtz's struggle with Kant's Anschauung
The Poetry of Victorian Scientists
Image, perception, and signs of personhood
Cultural Hero and Personage
Le feu souterrain
The Flash and the Fixing of the Latent Image around the 1890s
Subterranean Fire
Visibilizing Invisibility, An Introduction
Jean-Louis Déotte, Walter Benjamin et la forme plastique. Architecture, technique, lieux
The Cinematic Poetry of Four New York Carousels
From Framed Landscapes to Landscapes as Frames
The New Transparency
The Low Acuity for Blue
Visual Culture Studies and Cultural Sociology
Doing Research in Cultural Studies
Entrando em território arriscado
Teachers, Students and Drawings
Cape Colonial Architecture, Town Planning, and the Crafting of Modern Space in South Africa
Train Tracks
Edgar Allan Poe et les meubles de la philosophie
The Flâneur’s Scopic Power or the Victorian Dream of Transparency
Between book and cinema
A fragmented picture
‘I hate visual culture.’ The controversial rise of visual studies and the disciplinary politics of the visible
Environmental Visions
The underground seen
Representing Yellowstone
Painting and Photographing Landscapes
Humans without Bodies
The Invisible Woman and Her Secrets Unveiled
Ethnographie et visual studies
Bowling Blind
The Moralized Economy in Hard Times
Fragmented visions
Accountability and the Framing Power of Visual Technologies
Imaging Interiority
The Utopian Evolutionary Aestheticism of W. K. Clifford, Walter Pater, and Mathilde Blind
Technologies of Nature
E.-J. Marey's visual rhetoric and the graphic decomposition of the body
Realism without tears I
A Possible Framework for Digital Visuality
Audio-visual-sensory Essays in Post-Digital Times
The virtualisation of digital photography
Pornography's media breakdown
The Role of Light and Vision in Two Victorian Ghost Stories
To Have Done With the Perspective of the (Biological) Body
Carcasses, birdsongs and space dogs
Retour à l’ordre ? Injonctions et contournements dans les dioramas du Musée polaire de Leningrad (1933-1937)
Seeing Double
Socialvision
Pre-cinema as paradigm and collection at the Getty Research Institute
Reflections to projections
Democracy and discipline
Between nonfiction screen practice and nonfiction peep practice
Transport phenomena
The concrete zoetrope
From Sight to Touch, a Stereoscopic Cinematographic Experience
Surgical Injury and Narrative Cure in Wilkie Collins's Poor Miss Finch and Heart and Science
Going to Heaven
Turn Me On, Dead Media
Policing Made Visible
To Sell or Not to Sell
Detouring through Korean cinema
Making touch analog
Technologies of memory
Seeing without knowing
Towards a periodization of listening
George Augustus Sala
Framing Gertrude
Enslaved sovereign, observed spectator
Commentary on Peter Taylor's essay
Civilized madness
Falling out of an Aircraft
Dream Technology
José Juan Tablada’s Creative Art Writing
Working with Brain Scans
Representations of electricity
Vision and Authenticity in Heschel's The Sabbath
The Code of Terpsichore The Dance Theory of Carlo Blasis
Necessary Nudes
Problematizing Geopolitics
Lorraine Daston and Peter Galison Objectivity
An attempt to trace illusions to their physical causes’
Camera and catharsis
A critical geopolitics of observant practice at British military airshows
Mapped, Measured, and Mined
The Place of Landscape
Aerial Politics of Visibility
| Unique citing works | 127 |
|---|---|
| Citations per year | 3,74 |
| Citation span | 1992 - 2026 (35) |
| Citation velocity | current |
| Highly cited | Yes |
| Citation types | Neutral: 115 |