When the dial goes Dylan

Premium' radio, hybrid authenticity and Theme Time Radio Hour

Bibliographic Data

ID4304227
AuthorsBrian Fauteux (0000-0003-2165-8605, University of Alberta, corresponding author)
Year2020
Volume39
Issue3-4
Pages652-668
Publication date2020-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenuePopular Music (JOURNAL)
Journal identifiersISSN: 0261-1430 • E-ISSN: 1474-0095
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0261143020000562
OpenAlexW3138869636
LanguageEN
References cited20

This article explores the construction of hybrid authenticity by Bob Dylan's Theme Time Radio Hour, an XM Radio programme that aired between 2006 and 2009. Dylan's foray into radio presents compelling questions about the role of his star image in advancing a corporate strategy of premium radio that requires subscription access. Through narration and curation, a performed freeform radio format and fragments of radio history, Dylan's celebrity, voice and status as a vehicle for understanding the 'American song tradition' are solidified within the context of subscription satellite radio. In advance of the dominance of subscription streaming listening that companies like Spotify are now known for, Dylan's radio programme and recorded music of this period contribute to XM Radio's efforts to distinguish the satellite service from 'traditional' commercial format radio and to entice music listeners to become subscribers

Active listening · Advertising · Art · Business · Context (archaeology · Literature · Narrative · Radio program · Sociology · Telecommunications · Theme (computing · World Wide Web · Communication · Computer Science · History · Media Studies and Communication · Music History and Culture · Radio, Podcasts, and Digital Media

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