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Azealia Banks

Chasing Time', erotics, and body politics

Bibliographic Data

ID4304359
AuthorsK A Hansen (0000-0003-3215-295X, University of Oslo), Stan Hawkin, Stan Hawkins (Norwegian Academy of Music)
Year2018
Volume37
Issue2
Pages157-174
Publication date2018-05-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenuePopular Music (JOURNAL)
Journal identifiersISSN: 0261-1430 • E-ISSN: 1474-0095
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0261143018000053
OpenAlexW2797412900
LanguageEN
Citations received3
References cited17

During the 2010s a new generation of queer hip hop artists emerged, providing an opportunity to engage with a set of politics defined by art, fashion, lyrics and music. A leading proponent of this movement was Azealia Banks, the controversial rapper, artist and actress from New York. This study instigates a critical investigation of her performance strategies in the track and video, 'Chasing Time' (2014), offering up various perspectives that probe into queer agency. It is suggested that techniques of sonic styling necessitate a consideration of subjectivity alongside genre and style. Employing audiovisual methods of analysis, we reflect on the relationship between gendered subjectivity and modalities of queerness as a means for demonstrating how aesthetics are staged and aligned to advanced techniques of production. It is argued that the phenomenon of eroticised agency, through hyperembodied display, is central to understanding body politics. This article opens a space for problematising issues of black female subjectivity in a genre that is traditionally relegated to the male domain

Aesthetics · Art · Epistemology · Literature · Lyrics · Media studies · Political science · Politics · Queer · Social science · Sociology · Subjectivity · Visual arts · Gender Studies · History · Law · Media, Gender, and Advertising · Music History and Culture · Sports, Gender, and Society

  • Framing the feminine fury

    Rounak Gupta, Partha Bhattacharjee•Journal of Graphic Novels & Comics•2025

  • The Black Atlantic Metaphysics of Azealia Banks

    Open Access•E Pérez•Hypatia•2021

  • Mainstream popular music research

    Open Access•Bernhard Steinbrecher•Popular Music•2021

  • The Black Female Body

    Lisa E Farrington, Deborah Willis et al.•Woman s Art Journal•2003

  • A “Man's Woman”

    Open Access•Matthew Oware•Journal of Black Studies•2007

  • Unladylike Divas”

    Jason D Haugen•Popular Music & Society•2003

  • Queer Tracks

    Marnie Pratt•Popular Music & Society•2013

  • Remodeling Britney Spears

    Stan Hawkins, Jill Eileen Richardson et al.•Popular Music & Society•2007

  • Music Videos, Performance and Resistance

    Open Access•Robin Roberts•The Journal of Popular Culture•1991

  • Empowered or Objectified? Personal Narrative and Audiovisual Aesthetics in Beyoncé's Partition

    K A Hansen•Popular Music & Society•2015

  • Welcome to the candy shop! Conflicting representations of black masculinity

    Open Access•Marita B Djupvik•Popular Music•2014

  • In a Queer Time and Place

    Jack Halberstam, J Jack Halberstam•In a Queer Time and Place•2022

  • Misogyny in Rap Music

    Open Access•R Weitzer, Charis E Kubrin•Men and Masculinities•2009

  • Where My Girls At

    Open Access•Rana A Emerson•Gender & Society•2002

Unique citing works3
Citations per year0,6
Citation span2021 - 2025 (5)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 3

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