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Trends and taste in Japanese popular music

A case-study of the 1982 Yamaha World Popular Music Festival

Bibliographic Data

ID4304545
AuthorsJudith Ann Herd (corresponding author)
Year1984
Volume4
Pages75-96
Publication date1984-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenuePopular Music (JOURNAL)
Journal identifiersISSN: 0261-1430 • E-ISSN: 1474-0095
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0261143000006176
OpenAlexW2036966451
LanguageEN
Citations received4
References cited1

The contemporary popular music audience in Japan is exposed to a large variety of music, both domestic and imported; tastes are well defined. In particular, such factors as: the singer's 'image', what I call maintaining a standard formula, ambiguity and sentimentalism can be pinpointed as important to the music's appeal. In spite of this, the similarities of Japanese popular music to Western musical styles can suggest that a conventional musical analysis will be sufficient for understanding this music. Thus, many critics who evaluate Japanese popular music usually consider it merely a parody of the 'correct' styles that they are accustomed to hearing. Concentrating merely on the musical analysis, however, underestimates the cultural factors that give Japanese popular music distinctive characteristics which are highly valued in Japan. To offset the shortcomings of such analysis, this article is an attempt to examine Japanese popular music in terms of those cultural factors most important to popular music genres. The first section is a general review of current trends in popular music in Japan, paying particular attention to the characteristics that make the music uniquely 'Japanese

Aesthetics · Appeal · Art · Call and response · Classical music · Literature · Music and emotion · Music education · Music history · Musical · Musicology · Political science · Popular music · Programming · Taste · Violin musical styles · Visual arts · Asian Culture and Media Studies · History · Hong Kong and Taiwan Politics · Law · Music · Music History and Culture · Psychology

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    Alan Wells, Hiroshi Tokinoya•Popular Music & Society•1998

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Unique citing works4
Citations per year0,14
Citation span1998 - 2012 (15)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 4

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