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Good things come in threes

Triplet Flow in Recent Hip-Hop Music

Bibliographic Data

ID4304583
AuthorsBen Duinker (0009-0009-3896-9611, McGill University, corresponding author)
Year2019
Volume38
Issue03
Pages423-456
Publication date2019-10-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenuePopular Music (JOURNAL)
Journal identifiersISSN: 0261-1430 • E-ISSN: 1474-0095
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s026114301900028x
OpenAlexW2979520337
LanguageEN
Citations received7
References cited12

MCs (rappers) such as Cardi B, Kendrick Lamar, Drake, Big Sean and Young Thug use triplet rhythms in their rapping, a practice that is known as triplet flow. This paper argues that the prevalence of triplet flow is one of the most aurally salient features of contemporary hip hop, and exemplifies the popularity and influence of the Atlanta-centred genre of trap music through its sparse, slow beats. Three types of triplet flow are defined - mixed, phrasal and total - and are used to explore how various songs and artists active in the late 1980s and early 1990s provided the stylistic blueprint for triplet flow's recent explosion in popularity. With the aid of a 50 song mini-corpus, the paper concludes with a general survey of stylistic characteristics common in many songs featuring triplet flow, and further analysis of two of these songs in order to illuminate the creative, rhetorical and virtuosic potential that underpins this ostensibly simple style of rapping

Aesthetics · Art · Blueprint · Literature · Political science · Popularity · Rhetorical question · Salient · Sociology · Style (visual arts · Visual arts · Law · Music and Audio Processing · Music History and Culture · Music Technology and Sound Studies · Psychology · Social Psychology

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Unique citing works7
Citations per year1,17
Citation span2020 - 2025 (6)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 6

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