Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Aspects of the Music/Text Relationship in Rap

Bibliographic Data

ID4913618
AuthorsKyle Adams (Indiana University, corresponding author)
Year2008
Volume14
Issue2
Publication date2008-06-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueMusic Theory Online (JOURNAL)
Journal identifiersISSN: 1067-3040 • E-ISSN: 1067-3040
PublisherSociety for Music Theory (PUBLISHER • US)
DOI10.30535/mto.14.2.3
OpenAlexW2339008536
LanguageEN
Citations received25
References cited5

Few scholars of rap music have analyzed rap as they would other forms of Western texted music, by examining the relationship of the music to the text. This article will suggest that this type of analysis of rap is possible, but will argue that since the music in rap is composed before the text is written, we must change our analytical focus to examine not how the music supports the text, but how the text supports the music. I will propose a new analytical method for rap, and use excerpts from A Tribe Called Quest, OutKast, and artists affiliated with them, to show how rappers incorporate rhythms, groupings, and motives from the underlying music into the rhythm of the lyrics

Aesthetics · Art · Linguistics · Literature · Lyrics · Popular music · Rhythm · Sociology · Tribe · Diverse Musicological Studies · Music History and Culture · Musicology and Musical Analysis · Philosophy · Psychology

  • Harmonic Gradience in Greek Rap Rhymes

    Open Access•Katerina Iliopoulou•Proceedings of the Annual…•2022

  • Leaders of the New School? Music Departments, Hip-Hop, and the Challenge of Significant Difference

    Open Access•Loren Kajikawa•twentieth-century music•2021

  • Bringing Dance Back to the Center in Hamilton

    Anne Searcy•American Music•2018

  • Good things come in threes

    Ben Duinker•Popular Music•2019

  • On African Music

    Kofi Agawu•On African Music•2023

  • Music, Modernity, and God

    Jeremy Begbie•Music Modernity and God•2013

  • Disquieting Conversations

    Jeremy Begbie•Music Modernity and God•2013

  • Bell Patterns, Polyrhythms, Propulsive Subdivisions, and Semitones: The Musical Poetics of Late-1990s Cash Money Records Style

    Open Access•David Pearson•Journal of Popular Music Studies•2016

  • “Small machines of words”

    David Cosper•Frontiers of Narrative Studies•2024

  • Analyser l’interprétation vocale des musiques populaires avec le logiciel AudioSculpt

    Olivier Migliore•Musurgia•2023

  • Introduction to the Symposium on Kendrick Lamar’s To Pimp a Butterfly

    Open Access•Peter Ewell, Philip A Ewell•Music Theory Online•2019

  • Prosodic Dissonance

    Open Access•Eron Smith•Music Theory Online•2024

  • Writing Wrong Notes

    Open Access•Andrew Conklin•Music Theory Online•2019

  • Techniques rythmiques et mélodiques de la musique en langue des signes

    Open Access•Anabel Maler, Maxime Mckinley•Circuit Musiques contemporaines•2022

  • Analysing the pitch content of the rapping voice

    Mitchell Ohriner•Journal of New Music Research•2019

  • Rhythmic Techniques in Deaf Hip Hop

    Open Access•Anabel Maler, Robert Komaniecki•Music Theory Online•2021

  • Analyzing Collaborative Flow in Rap Music

    Open Access•Robert Komaniecki•Music Theory Online•2017

  • "Lyric, Rhythm, and Non-alignment in the Second Verse of Kendrick Lamar's "Momma

    Open Access•Mitchell M Ohriner, Mitchell Ohriner•Music Theory Online•2019

  • Analyzing Vocables in Rap

    Open Access•Zachary Wallmark•Music Theory Online•2022

  • I got a bone to pick

    Open Access•James Bungert•Music Theory Online•2019

  • On the Metrical Techniques of Flow in Rap Music

    Open Access•Kyle Adams•Music Theory Online•2009

  • This Flow Ain't Free

    Open Access•John J Mattessich•Music Theory Online•2019

  • Playing with Beats and Playing with Cats

    Open Access•Kyle Adams•Music Theory Online•2016

  • Theoretical Approaches to Quotation in Hip-Hop Recordings

    Open Access•Justin A Williams•Contemporary Music Review•2014

  • Persian Street Rap

    Hamed Asadi, Sepehr Seraji•Social Identities•2025

  • Structural Polytonality in Contemporary Afro-American Music

    Lee J Cronbach, Lee Cronbach•Black Music Research Journal•1981

  • Hip-Hop Drumming

    Jeff Greenwald•Black Music Research Journal•2002

  • The Significance of the Relationship between Afro-American Music and West African Music

    Olly Wilson•The Black Perspective in Music•1974

  • Rhythm, Rhyme, and Rhetoric in the Music of Public Enemy

    Robert Walser•Ethnomusicology•1995

Unique citing works25
Citations per year1,47
Citation span2009 - 2025 (17)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 21

Tools

Open DOIOpen Access
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae