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Crippled with nerves

Popular music and polio, with particular reference to Ian Dury

Bibliographic Data

ID4304653
AuthorsGraham Mckay (0000-0002-7770-0502, University of Salford, corresponding author), George Mckay
Year2009
Volume28
Issue3
Pages341-365
Publication date2009-10-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenuePopular Music (JOURNAL)
Journal identifiersISSN: 0261-1430 • E-ISSN: 1474-0095
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0261143009990109
OpenAlexW1981518366
LanguageEN
Citations received9
References cited9

This article looks at a remarkable cluster of popular musicians who contracted and survived poliomyelitis ('infantile paralysis') epidemics through the twentieth century, and ways in which they managed and, to varying extents, explored their polio-related impairments and experiences in their music. Drawing on medical history and disability studies, it focuses largely on the pop and rock generation of polio survivors - the children and young people from the 1940s and 1950s who were among the last to contract the disease prior to the successful introduction of mass vaccination programmes (in the West). These include Neil Young, Steve Harley, Joni Mitchell, and Israel Vibration. The article then looks in detail at the work of Ian Dury, who was for a while the highest profile visibly physically disabled pop artist in Britain, and who produced a compelling body of works exploring the experiences of disability

Paralysis · Poliomyelitis · Psychiatry · Work (physics · Engineering · History · Medicine · Medicine and Dermatology Studies History · Musicians’ Health and Performance · Psychology · Whipple's Disease and Interleukins · Pediatrics

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Unique citing works9
Citations per year0,64
Citation span2012 - 2022 (11)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 9

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