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Structure, agency and community

Using online music gatherings to support social inclusion for people with disabilities in Australia during the Covid-19 pandemic

Bibliographic Data

ID4655314
AuthorsKatrina Skewes Mcferran (0000-0003-0699-3683), Anthea Skinner (0000-0003-2035-0916), Teresa Hall (0000-0002-5361-3033), Grace Thompson (0000-0002-7501-5325)
Year2022
Volume31
Issue3
Pages259-272
Publication date2022-05-27
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueNordisk Tidsskrift for Musikkterapi (JOURNAL)
Journal identifiersISSN: 0803-9828 • E-ISSN: 1944-8260
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/08098131.2021.2008474
OpenAlexW4205590428
LanguageEN
Citations received2
References cited11

Introduction: In the wake of COVID-19 restrictions and lockdowns in the southern states of Australia, many community music and music therapy projects shifted to an online format. This paper discusses the formation and creation of four online music groups aimed at people with disability, including two groups for children and two for adults. The aim of the study was to explore the use of online technologies to support social inclusion and wellbeing when participants were physically isolated. Method: This study positioned group participants as co-researchers to recognize the expertise many people with disability hold from being housebound or socially isolated. We adopted an action research framework in which participants provided ongoing reflections on the use of technology, access, musical foci and social interaction to iteratively develop the sessions through cycles of reflexive action. These data were triangulated with data collected through participant observation and individual interviews. Results: The structured format of the sessions created online spaces for people with different disability, age and gender identities to explore their creativity together. Far from limiting participants’ autonomy and safety, the structured setting promoted their agency in decision-making and shaping the groups to meet their needs. Discussion: Many participants interacted with the group or adapted to the online experiences in ways which the authors had not anticipated. While we were expecting our cohort to have expertise with social isolation, we found that they also had high levels of expertise as passionate musicians, which they used to frame the activities of the online gatherings

2019-20 coronavirus outbreak · Agency (philosophy · Coronavirus disease 2019 (COVID-19 · Inclusion (mineral · Music therapy · Pandemic · Psychiatry · Severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2 · Social science · Sociology · Art Therapy and Mental Health · Medicine · Psychology · Social Psychology · Virology

  • Career reconstruction

    Open Access•Fabian Cannizzo, Catherine Strong et al.•Creative Industries Journal•2025

  • Growth

    Joke Bradt•Nordisk Tidsskrift for Musikkterapi•2023

  • Parent perceptions of music therapy in an on-campus clinic for children with Autism Spectrum Disorder

    Open Access•Edward T Schwartzberg, M Joshua Silverman•Musicae Scientiae•2017

  • Resolving social conflicts and field theory in social science

    Kurt Lewin•Resolving social conflicts•1997

  • Rolling out the “krip hop army”

    Anthea Skinner•Disability & Society•2020

  • Personalisation and pandemic

    Helen Dickinson, George Carey et al.•Disability & Society•2020

  • The effects of group improvisational music therapy on depression in adolescents and adults with substance abuse

    Yadira Albornoz•Nordisk Tidsskrift for Musikkterapi•2011

  • Community Music Therapy and Its Relationship to Community Music

    Lucy O''Grady, Lucy O’grady et al.•Nordisk Tidsskrift for Musikkterapi•2007

  • Crippled with nerves

    Open Access•Graham Mckay, George Mckay•Popular Music•2009

Unique citing works2
Citations per year0,67
Citation span2023 - 2025 (3)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 2

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