Living underground is tough
Authenticity and locality in the hip-hop community in Istanbul, Turkey
Bibliographic Data
| ID | 4305409 |
|---|---|
| Authors | Thomas Solomon (0000-0001-7266-6547, corresponding author) |
| Year | 2005 |
| Volume | 24 |
| Issue | 1 |
| Pages | 1-20 |
| Publication date | 2005-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Popular Music (JOURNAL) |
| Journal identifiers | ISSN: 0261-1430 • E-ISSN: 1474-0095 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0261143004000273 |
| OpenAlex | W2132751366 |
| Language | EN |
| Citations received | 34 |
| References cited | 17 |
Hip-hoppers in Istanbul, Turkey, spend much discursive energy talking and rapping about how the Turkish hip-hop movement is underground, putting a particularly local spin on their uses of a global cultural form. This spatial metaphor has thus become central to local constructions of hip-hop in Istanbul. This paper explores the different meanings the underground concept has for Turkish hip-hoppers through a combination of ethnographic research and readings of locally produced hip-hop texts. Through discourses on and around the underground metaphor, Turkish hip-hoppers use the globally circulating music genre of rap and the associated arts of hip-hop to construct a specifically local identity, re-emplacing rap and hip-hop within the landscape of Istanbul. The paper uses this case study to explore how people can use mediated music in constructing new imaginaries and identities and more specifically how people can use mediated music as a vehicle for the imagining of place
Aesthetics · Art · Ethnography · Linguistics · Metaphor · Sociology · Turkish · Visual arts · Anthropology · Caribbean history, culture, and politics · Diverse Musicological Studies · Gender Studies · Music History and Culture
Memes, Monsters, and the Digital Grotesque
The Aesthetics of Global Protest
Relations in Aesthetic Space
Melancholic militancy
Imagining the Global
Rhythms and Rhymes of Life
From Hanok to Hanbok
A Discursive Contextualisation of Hustling in Nigerian Hip-Hop
Racial Authenticity in Rap Music and Hip Hop
YouTube as a site of debate through populist politics
Visuals in Turkish pop
From the streets to the mainstream
The foundation and transformation of the Turkish rap field (2002-2023)
Making space, pushing time’
Who said hip-hop was dead? The politics of hip-hop culture in Immortal Technique’s lyrics
Reporting on selective voices of ‘resistance’
Rappers as hip-hopers
Berlin–Frankfurt–Istanbul
The power of local networking
Authenticating Subcultural Identities
War Memory and Musical Tradition
O pessoal está interessado numa tour
Negotiating Absence and Presence
Protest music, populism, politics and authenticity
Gangs and gangsta rap in Chicago
Listening for the hiss
Hardcore Muslims
HipHopKhasene
Pop-Rock Music as Expressive Isomorphism
Indiestanbul
The September 11 generation, hip-hop and human rights
Cultural omnivorousness in Turkey
Defining Authenticity in the Mid-2000s Australian Hip-Hop Scene
Burning the bridges
Rock culture in Liverpool
Modernity at large
Global Pop
The Discovery of Grounded Theory
Bridging East and West on the "Orient Express"
Polyglot politics. Hip hop in Germany
Cartel
Sound of Africa
The Arabesk Debate
Ethnography and popular music studies
From Krauts with attitudes to Turks with attitudes
Represent
Metal, Rock, and Jazz
Tails out
Pungent Sounds
Créolitéandfrancophoniein music
Culture between center and periphery
| Unique citing works | 34 |
|---|---|
| Citations per year | 1,7 |
| Citation span | 2006 - 2026 (21) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 34 |