Similarities in adaptations of scripted television formats
The global and the local in transnational television culture
Bibliographic Data
| ID | 4330065 |
|---|---|
| Authors | Isabel Villegas-Simón (0000-0003-3064-6876, Universitat Autonòma de Barcelona, corresponding author), María T Soto-Sanfiel (0000-0002-1364-8821, National University of Singapore) |
| Year | 2021 |
| Volume | 86 |
| Pages | 101524 |
| Publication date | 2021-06-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Poetics (JOURNAL) |
| Journal identifiers | ISSN: 0304-422X • E-ISSN: 1872-7514 |
| Publisher | Elsevier BV (PUBLISHER) |
| DOI | 10.1016/j.poetic.2020.101524 |
| OpenAlex | W3111933075 |
| Language | EN |
| Citations received | 3 |
| References cited | 22 |
Cultural diversity · Geography · Linguistics · Qualitative research · Social science · Sociology · Anthropology · Asian Culture and Media Studies · Computer Science · Media Studies and Communication · Media, Gender, and Advertising
Narrative Discourse
Communication and Cultural Domination
Tell the (hi)story to the nation. Two transcultural adaptations of the Spanish TV series Cuéntame cómo pasó
Glocalization
Hybridity, or the Cultural Logic of Globalization
Beyond media imperialism
Aesthetic Proximity
Measuring Transnationalism
Drama without Drama
Trafficking in TV crime
Reasons for the US dominance of the international trade in television programmes
The advent of the transnational TV format trading system
Reconstructing Flanders. The representation of the nation in Flemish period drama
Cultural Globalization as the Emergence of a Transnational Cultural Field
Media literacy, cultural proximity and TV aesthetics
Traveling style
Television Format as Cultural Negotiation
The making of an entertainment revolution
Broadcasting in a Post-National Environment
| Citations per year | 1.5 |
|---|---|
| Citation span | 2024 - 2026 (3) |
| Highly cited | No |