Explaining aversion to true crime documentaries

Why do audiences refuse to watch them

Bibliographic Data

ID21788258
AuthorsMaría T Soto-Sanfiel (0000-0002-1364-8821, National University of Singapore, corresponding author), Diego Montoya-Bermúdez (0000-0003-2729-6756, Pontificia Universidad Javeriana)
Year2024
Volume18
Issue2
Pages130-146
Publication date2024-05-03
Open AccessNo
TypeARTICLE
VenueStudies in Documentary Film (JOURNAL)
Journal identifiersISSN: 1750-3280 • E-ISSN: 1750-3299
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/17503280.2023.2295040
OpenAlexW4389871030
LanguageEN
References cited58

Despite the widespread fascination with media content, scholarly attention often overlooks aversion, refusal, or resistance to it. This qualitative study explores the rejection of True Crime documentaries (TCD) by examining viewers in Colombia and Singapore, identifying reasons for refusal and exploring perceived effects. Results show that emotional distress is a common factor explaining refusal to TCDs. Notably, differences emerge between the two samples: Singaporean participants dislike TCDs due to a cultural disconnect tied to their low murder rate, and they lack precise notions about TCD effects. In contrast, Colombians cite the need to escape everyday violence and avoid glorifying criminals. These findings suggest that cultural context, including murder rates, influences viewers' aversion to TCDs, underscoring the importance for TV managers to consider localization in global content distribution decisions

Advertising · Business · Media studies · Sociology · Media Influence and Health · Media Studies and Communication · Psychology · Radio, Podcasts, and Digital Media

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