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Distribution of the arts

British arts centres as 'gatekeepers' in intersecting cultural production systems

Bibliographic Data

ID4330693
AuthorsNobuko Kawashima (University of Warwick, corresponding author)
Year1999
Volume26
Issue4
Pages263-283
Publication date1999-05-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenuePoetics (JOURNAL)
Journal identifiersISSN: 0304-422X • E-ISSN: 1872-7514
PublisherElsevier BV (PUBLISHER)
DOI10.1016/s0304-422x(99)00006-6
OpenAlexW1981145493
LanguageEN
Citations received9
References cited25

Arts in education · Business · Economics · Political science · Production (economics) · Profit (economics) · Public relations · Sociology · The arts · Art History and Market Analysis · Artistic and Creative Research · Cultural Industries and Urban Development · Law · Marketing

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    Open Access•Thomas Franssen, Giselinde Kuipers•Poetics•2013

  • Staking Claims

    Open Access•Denise D Bielby•American Behavioral Scientist•2011

  • Gatekeeping and networking arrangements

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  • Will This Record Work for Us

    Open Access•Jarl A Ahlkvist, Robert R Faulkner et al.•Qualitative Sociology•2002

  • Constraint and reproduction in an amateur craft institution

    Open Access•Krista E Paulsen, Kristin Staggs•Poetics•2005

  • Books

    Charles Kadushin, Lewis A Coser et al.•Books•1982

  • The Social Production of Art

    Open Access•Janet Wolff•The Social Production of Art•1981

  • The New Institutionalism in Organizational Analysis

    Walter W Powell, P Dimaggio et al.•The New Institutionalism in…•1991

  • On the impact of revenue subsidies on repertory theatre policy

    Open Access•David Austen-Smith, David Austen‐smith•Journal of Cultural Economics•1980

  • The Transformation of the Avant-Garde

    Rosanne Martorella, Diana Crane•Contemporary Sociology A Journal…•1988

  • Art, Ideology, and Politics

    Chandra Mukerji, Judith Huggins Balfe et al.•Contemporary Sociology A Journal…•1986

  • The Role of “The Audience” in Publishing Children's Books

    Open Access•Joseph Turow•The Journal of Popular Culture•1982

  • Market Structure, the Creative Process, and Popular Culture

    Open Access•P Dimaggio•The Journal of Popular Culture•1977

  • How reviewers reach consensus on the value of literary works

    Open Access•C J Van Rees•Poetics•1987

  • Cycles in Symbol Production

    R A Peterson, David G Berger•American Sociological Review•1975

  • The distribution and dynamics of uncertainty in art galleries

    Open Access•Karin Peterson•Poetics•1997

  • The theatre critic as a cultural agent

    Open Access•Yael Zarhy Levo•Poetics•1993

  • Why do some theatres innovate more than others? An empirical analysis

    Open Access•P Dimaggio, Kristen Stenberg•Poetics•1985

  • Serious writing and the state

    Open Access•Jim Mcguigan•Poetics•1983

  • Production Organizations in the Arts

    Open Access•Paul D, Deborah Paul et al.•American Behavioral Scientist•1976

  • The Production of Culture

    Open Access•R A Peterson•American Behavioral Scientist•1976

  • Networks and Circles in the Production of Culture

    Open Access•Charles Kadushin•American Behavioral Scientist•1976

  • Recent Moves in the Sociology of Literature

    W Griswold•Annual Review of Sociology•1993

  • The Relationship Between Box Office and Repertoire

    Open Access•Rosanne Martorella•Sociological Quarterly•1977

  • All Hits Are Flukes

    William T Bielby, Denise D Bielby•American Journal of Sociology•1994

  • The Fabrication of Meaning

    W Griswold•American Journal of Sociology•1987

  • Making News by Doing Work

    Gaye Tuchman•American Journal of Sociology•1973

  • Processing Fads and Fashions

    Paul M Hirsch•American Journal of Sociology•1972

Unique citing works9
Citations per year0,38
Citation span2002 - 2025 (24)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 8

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