Concluding Thoughts
Performance, the Self, and Women's History
Bibliographic Data
| ID | 4348043 |
|---|---|
| Authors | Penny Summerfield (0000-0001-7288-3867, University of Manchester, corresponding author) |
| Year | 2013 |
| Volume | 22 |
| Issue | 2 |
| Pages | 345-352 |
| Publication date | 2013-04-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Women s History Review (JOURNAL) |
| Journal identifiers | ISSN: 0961-2025 • E-ISSN: 1747-583X |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/09612025.2012.726120 |
| OpenAlex | W2059815172 |
| Language | EN |
| Citations received | 5 |
These concluding reflections on the special edition ‘Performing the Self: Women's Lives in Historical Perspective’ highlight the significance for women's history of concepts such as audience, persona, composure and biography, review different theories concerning peformativity and subjectivity, and demonstrate how the articles in this edition are contributing to debates in this area
Aesthetics · Art · Biography · Epistemology · Humanities · Literature · Persona · Sociology · Subjectivity · Visual arts · Historical Gender and Feminism Studies · Historical Studies on Reproduction, Gender, Health, and Societal Changes · History · Military history and social perspectives · Philosophy · Psychology
A ‘Position of Peculiar Responsibility’
These Are Just a Few Examples of Our Daily Oppressions”
Privacy, Authorship, and Ownership
Oxford House Heads and Their Performance of Religious Faith in East London, 1884–1900
Making Family Violence Public in the Royal Commission on Human Relationships, 1974-1977
| Unique citing works | 5 |
|---|---|
| Citations per year | 0,5 |
| Citation span | 2016 - 2020 (5) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 3 |