On the Beach
Bibliographic Data
| ID | 4369953 |
|---|---|
| Authors | Martin Stokes (0000-0001-6529-1118, corresponding author) |
| Year | 2021 |
| Volume | 154 |
| Issue | 1 |
| Pages | 35-46 |
| Publication date | 2021-05-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Representations (JOURNAL) |
| Journal identifiers | ISSN: 0734-6018 • E-ISSN: 1533-855X |
| Publisher | University of California Press (PUBLISHER • US) |
| DOI | 10.1525/rep.2021.154.4.35 |
| OpenAlex | W3171394594 |
| Language | EN |
| Citations received | 1 |
| References cited | 7 |
How has "the migrant crisis" affected musicology? What "edges" now appear, with what implications for musicology's persistent call to historicize? This article suggests these have been more persistent questions than the current language of "crisis" might suggest. Taking some examples with the ongoing Syrian war as a backdrop, the implications of Mieke Bal's injunction to "remember with" are explored as a route to thinking through the dilemmas of activism and compassion
Compassion · Epistemology · Musicology · Pedagogy · Political science · Sociology · Diverse Musicological Studies · History · Law · Music History and Culture · Musicology and Musical Analysis · Philosophy
| Unique citing works | 1 |
|---|---|
| Citations per year | 1 |
| Citation span | 2026 - 2026 (1) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 1 |