Lupus tonalis
Bibliographic Data
| ID | 4370578 |
|---|---|
| Authors | Ellen Lockhart (0009-0000-3485-4387, corresponding author) |
| Year | 2020 |
| Volume | 150 |
| Issue | 1 |
| Pages | 120-141 |
| Publication date | 2020-05-08 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Representations (JOURNAL) |
| Journal identifiers | ISSN: 0734-6018 • E-ISSN: 1533-855X |
| Publisher | University of California Press (PUBLISHER • US) |
| DOI | 10.1525/rep.2020.150.1.120 |
| OpenAlex | W4247379182 |
| Language | EN |
| Citations received | 1 |
There are two kinds of thing called the wolf: one is acoustic and music adjacent; the other is biomaterial. Together, they are an instance of what Donna Haraway called "figures": that is, "material-semiotic nodes or knots in which diverse bodies and meanings co-shape one another." This essay begins by observing these wolves in London, ca. 1806, where both conjured anxious musings on the human relationship to nature. From there, the perspective widens geographically and historically, to situate the figure of the wolf within a wider history of repressed animalia in Western art music
Aesthetics · Art · Art history · Epistemology · Literature · Semiotics · Visual arts · Musicology and Musical Analysis · Philosophy
| Citations per year | 0.5 |
|---|---|
| Citation span | 2024 - 2024 (1) |
| Highly cited | No |