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Ellen Lockhart

Biographic Data

ID410723
NAMEEllen Lockhart
GIVEN NAMESEllen
FAMILY NAMELockhart
SIGNATURELOCKHART E
AFFILIATIONSKing's College London
ORCID0009-0000-3485-4387
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS6
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2015
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Sound Authorities

    Ellen Lockhart•ARTICLE•Victorian Studies•2025

  • Wagner in Context

    Trippett Trippett, Katharine Ellis et al.•BOOK•Wagner in Context•2024

  • Metamorphosis and Animation

    Ellen Lockhart•ARTICLE•Journal of Musicological Research•2021

  • Lupus tonalis

    Ellen Lockhart•ARTICLE•Representations•2020

    There are two kinds of thing called the wolf: one is acoustic and music adjacent; the other is biomaterial. Together, they are an instance of what Donna Haraway called "figures": that is, "material-semiotic nodes or knots in which diverse bodies and meanings co-shape one another." This essay begins by observing these wolves in London, ca. 1806, where both conjured anxious musings on the human relationship to nature. From there, the perspective wi…

  • Sound Knowledge

    J Q Davies, Ellen Lockhart•BOOK•Sound Knowledge•2017•Cited by: 6•References: 3

    Profuse thanks are also owing to the two anonymous readers of the manuscript, who are amongst the most insightful and generous unnamed humanists we have encountered

  • Pygmalion and the Music of Mere Interest

    Ellen Lockhart•ARTICLE•Representations•2015

    This article brings together two instances of "quirk" objects that are remote from one another in genre and time (Rousseau's Pygmalion and a Busby Berkeley dance number), in order to put pressure on the explanatory power of historical context within musicology

  • Sound Knowledge

    J Q Davies, Ellen Lockhart•BOOK•Sound Knowledge•2017•Cited by: 6•References: 3

    Profuse thanks are also owing to the two anonymous readers of the manuscript, who are amongst the most insightful and generous unnamed humanists we have encountered

  • Pygmalion and the Music of Mere Interest

    Ellen Lockhart•ARTICLE•Representations•2015

    This article brings together two instances of "quirk" objects that are remote from one another in genre and time (Rousseau's Pygmalion and a Busby Berkeley dance number), in order to put pressure on the explanatory power of historical context within musicology

  • Sound Knowledge

    J Q Davies, Ellen Lockhart•BOOK•Sound Knowledge•2017•Cited by: 6•References: 3

    Profuse thanks are also owing to the two anonymous readers of the manuscript, who are amongst the most insightful and generous unnamed humanists we have encountered

  • Lupus tonalis

    Ellen Lockhart•ARTICLE•Representations•2020

    There are two kinds of thing called the wolf: one is acoustic and music adjacent; the other is biomaterial. Together, they are an instance of what Donna Haraway called "figures": that is, "material-semiotic nodes or knots in which diverse bodies and meanings co-shape one another." This essay begins by observing these wolves in London, ca. 1806, where both conjured anxious musings on the human relationship to nature. From there, the perspective wi…

  • Metamorphosis and Animation

    Ellen Lockhart•ARTICLE•Journal of Musicological Research•2021

  • Wagner in Context

    Trippett Trippett, Katharine Ellis et al.•BOOK•Wagner in Context•2024

  • Sound Authorities

    Ellen Lockhart•ARTICLE•Victorian Studies•2025

Art (3 works) · Musicology and Musical Analysis (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Archaeology (2 works) · Art history (2 works) · Diverse Musicological Studies (2 works) · Epistemology (2 works) · History (2 works) · Literature (2 works)

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