Pygmalion and the Music of Mere Interest
Bibliographic Data
| ID | 4370753 |
|---|---|
| Authors | Ellen Lockhart (0009-0000-3485-4387, corresponding author) |
| Year | 2015 |
| Volume | 132 |
| Issue | 1 |
| Pages | 95-103 |
| Publication date | 2015-11-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Representations (JOURNAL) |
| Journal identifiers | ISSN: 0734-6018 • E-ISSN: 1533-855X |
| Publisher | University of California Press (PUBLISHER • US) |
| DOI | 10.1525/rep.2015.132.1.95 |
| OpenAlex | W2464878364 |
| Language | EN |
| Citations received | 2 |
This article brings together two instances of "quirk" objects that are remote from one another in genre and time (Rousseau's Pygmalion and a Busby Berkeley dance number), in order to put pressure on the explanatory power of historical context within musicology
Aesthetics · Archaeology · Art · Art history · Dance · Electronic dance music · Epistemology · Explanatory power · Literature · Musicology · Physics · Visual arts · History · Musicology and Musical Analysis · Philosophy
| Citations per year | 0.2 |
|---|---|
| Citation span | 2016 - 2018 (3) |
| Highly cited | No |