"Notation After "The Reality Effect
Bibliographic Data
| ID | 4370684 |
|---|---|
| Authors | Rachel Sagner Buurma (0000-0003-1517-0195), Laura Heffernan (0000-0003-4092-5174) |
| Year | 2014 |
| Volume | 125 |
| Issue | 1 |
| Pages | 80-102 |
| Publication date | 2014-02-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Representations (JOURNAL) |
| Journal identifiers | ISSN: 0734-6018 • E-ISSN: 1533-855X |
| Publisher | University of California Press (PUBLISHER • US) |
| DOI | 10.1525/rep.2014.125.1.80 |
| OpenAlex | W2015342654 |
| Language | EN |
| Citations received | 2 |
In "The Reality Effect," Roland Barthes reveals notation's ideological function within the realist novel; a decade later in Preparation of the Novel, Barthes reconsiders notation as the practice by which the writer provisionally makes literary meaning. Barthes's revision of his claims for the reality effect helps us see how an emerging genre-the novel of commission-pulls referential, preparatory materials into the novel in order to reimagine the sociality and institutionality of the writing process
Aesthetics · Art · Epistemology · Ideology · Linguistics · Literature · Notation · Political science · Politics · Sociology · Comics and Graphic Narratives · French Literature and Criticism · Law · Narrative Theory and Analysis · Philosophy
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,18 |
| Citation span | 2015 - 2015 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |