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Reading Games/Games of Reading

Iurii Trifonov'sHouse on the Embankmentand Forms of Play beyond Samizdat

Bibliographic Data

ID4375388
AuthorsStiliana Milkova (0000-0003-2453-8676, corresponding author)
Year2009
Volume30
Issue1
Pages67-88
Publication date2009-03-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenuePoetics Today (JOURNAL)
Journal identifiersISSN: 0333-5372 • E-ISSN: 1527-5507
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/03335372-2008-003
OpenAlexW2035393221
LanguageEN
References cited9

Iurii Trifonov (1925-1981) was a successful Soviet writer and sports journalist. He did not belong to samizdat print culture. But like other officially published Soviet literature, his works enacted an Aesopian game of hide-and-seek with the censor and the reader, whereby meaning was concealed throughout the text and marked by subtle hints. In this essay, I explore the implications of game playing as elaborated in Trifonov's most subversive, though officially published and uncensored, text, the novella House on the Embankment (Dom na Naberezhnoi, 1976). In analyzing Trifonov's novella, I examine different forms of "actual" play among author, censor, and reader, on the one hand, and rhetorical game playing in the narrative, on the other. More specifically, the essay analyzes children's games in the text to suggest that games become an Aesopian mechanism for addressing the Stalinist past and a metaphor for Aesopian language itself. The essay also suggests that game playing as an extratextual practice and rhetorical mode can be seen as bridging the gap between samizdat (underground publishing enterprises) and Gosizdat (the state publishing house

Art · Epistemology · Linguistics · Literature · Media studies · Metaphor · Narrative · Novella · Publishing · Rhetorical question · Sociology · Computer Science · Eastern European Communism and Reforms · Philosophy · Russian Literature and Bakhtin Studies · Soviet and Russian History

  • The Material Existence of Soviet Samizdat

    Open Access•Ann Komaromi•Slavic Review•2004

  • Monologue of the Anti-Hero

    Open Access•Konstantin Kustanovich•Slavic Review•1991

  • Trifonov'sDom na naberezhnoiand the Fortunes of Aesopian Speech

    Open Access•Thomas Seifrid•Slavic Review•1990

  • Runaway Texts

    Open Access•Anne Dwyer•The Russian Review•2005

  • Suspending the Political

    Alexei Yurchak•Poetics Today•2008

  • The Terrifying Mimicry of Samizdat

    Serguei Alex Oushakine•Public Culture•2001

Citation velocityhistorical
Highly citedNo

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