At War with Stories
A Vernacular Critique of the Storytelling Boom from American Military Veterans
Bibliographic Data
| ID | 4376268 |
|---|---|
| Authors | Kristiana Willsey (University of Southern California, corresponding author) |
| Year | 2022 |
| Volume | 43 |
| Issue | 2 |
| Pages | 243-263 |
| Publication date | 2022-06-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Poetics Today (JOURNAL) |
| Journal identifiers | ISSN: 0333-5372 • E-ISSN: 1527-5507 |
| Publisher | Duke University Press (PUBLISHER • US) |
| DOI | 10.1215/03335372-9642595 |
| OpenAlex | W4283011470 |
| Language | EN |
| Citations received | 2 |
| References cited | 18 |
In a post-draft era in which American civilians have grown increasingly apart from their military, veterans are urged to share their stories, to personalize distant and poorly understood conflicts-to make war meaningful. But individual veterans can't control the larger conversation in which their stories are interpreted or used. Veterans' stories are ventriloquized by candidates in campaign rallies, recapped in late-night news monologues, retweeted by celebrities, optioned for film, and consistently cited as evidence of why we should, or shouldn't, be at war. This politically charged landscape for the telling of personal narrative (and the speed and ease with which stories circulate via mass media) creates unique challenges for veterans, who need to find meaning in their experiences for their own sakes, but resist the ready-made plots and morals imposed on them by politicians and popular culture. Caught between what Amy Shuman calls "competing promises of narrative," veterans learn how to not tell war stories, relying on the denial or deferral of storytelling to assert small-scale meanings that resist recirculation and politicization. But to reject narrative outright is antisocial at best, and at worst pathological. Instead, the management of narrative-learning to select and edit stories for a given audience-is critical to avoiding the stigmatized identity of the traumatized veteran, who is either stubbornly silent or disturbingly voluble. Framing the withholding of narrative in positive rather than negative terms, my interlocutors stressed their need to curate the situations in which storytelling could keep its promises
Aesthetics · Art · Denial · Ethos · Literature · Media studies · Narrative · Political science · Psychoanalysis · Sociology · Storytelling · Digital Storytelling and Education · History · Law · Memory, Trauma, and Commemoration · Participatory Visual Research Methods · Psychology · Social Psychology
The Ethics of Storytelling
The audience as co-author
A Crack in the Mirror
Routledge Handbook of Counter-Narratives
Story, Performance, and Event
The Human Condition
Narrative Methods for the Human Sciences
Introductory remarks
On Multiple Realities
The Sounds of Silence
Personal Narrative and Experiential Meaning
Phantoms of Romantic Nationalism in Folkloristics
Life Stories, War, and Veterans
Complicity and Imitation in Storytelling
Husserl, intersubjectivity and anthropology
| Citations per year | 2 |
|---|---|
| Citation span | 2025 - 2026 (2) |
| Highly cited | No |