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What's the Story

Bibliographic Data

ID4387010
AuthorsPaisley Livingston (0000-0002-2748-9139, corresponding author)
Year1993
Volume22
Issue2/3
Pages98
Publication date1993-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueSubStance (JOURNAL)
Journal identifiersISSN: 0049-2426 • E-ISSN: 1527-2095
PublisherProject MUSE (PUBLISHER • US)
DOI10.2307/3685273
OpenAlexW2313186493
LanguageEN
Citations received1
References cited15

It would seem, then, that one component of a fairly widespread type of literary expertise is the ability to make appropriate inferences about what does and does not happen in stories related by fictional, narrative discourses.1 I shall call this expertise story competence, and I want to propose that it can be modelled in part as the application of two kinds of heuristics, which I shall call the rationality and intentional heuristics. Story competence is partly a matter of what Joseph Magliano, Arthur Graesser and others have referred to as the on-line generation of inferences. The reader's immediate or quasi-immediate processing of a text is a necessary part of literary experience, but it does not alone constitute a self-sufficient and adequate form of expertise. Students and critics alike normally get a chance to think it over before they decide what they take a text, or some aspect of a text, to mean. Literary competence involves some automatic processes of punctual, on-line comprehension, but it also requires the ability to make and evaluate the right sorts of deliberative inferences and judgements, including interpretive decisions based on close scrutiny of, and meditation over, passages in a work that readers have already read one or more times. One good reason why our literary practices and standards involve reflective, deliberative inferences runs as follows. Readers cannot possibly make all of the inferences that follow validly from a text's most explicit

Competence (human resources) · Comprehension · Epistemology · Heuristics · Linguistics · Narrative · Scrutiny · Computer Science · Discourse Analysis in Language Studies · Language, Metaphor, and Cognition · Media, Communication, and Education · Philosophy · Psychology · Social Psychology

  • Truth in Fiction' Reprised

    Open Access•Manuel Garcia-Carpintero•The British Journal of Aesthetics•2022

  • Mimesis as make-believe

    Kendall L Walton•Mimesis as make-believe•1990

  • The Nature of Fiction

    Open Access•Gregory Currie•Nature of Fiction•1990

  • Die Selbstorganisation des Sozialsystems Literatur im 18. Jahrhundert

    David Roberts, Siegfried J Schmidt•The German Quarterly•1991

  • Mental Models

    Marilyn Ford, Philip N Johnson-Laird•Language•1985

  • The Nature of Fiction

    Peter Lamarque, Gregory Currie•The Philosophical Quarterly•1993

  • Thought and Reference

    Michael Luntley, Kent Bach•The Philosophical Quarterly•1990

  • Intentions and Interpretations

    Alfred R Mele, Paisley Livingston•Modern Language Notes•1992

  • Literature and Rationality

    Oscar Kenshur, Paisley Livingston•Modern Language Notes•1992

  • A three-pronged method for studying inference generation in literary text

    Open Access•Joseph P Magliano, Arthur C Graesser•Poetics•1991

  • Artificial intelligence and the study of literary narrative

    Open Access•Nancy M Ide, Nancy Ide et al.•Poetics•1990

  • Story understanding as problem-solving

    Open Access•John B Black, Gordon H Bower•Poetics•1980

  • Literary expertise in the description of a fictional narrative

    Open Access•Barbara Graves, Barbara Ann Graves et al.•Poetics•1991

  • On the role of conventions in understanding literary texts

    Open Access•Dietrich Meutsch, Siegfried J Schmidt•Poetics•1985

  • The definition of a story

    Open Access•Nancy L Stein•Journal of Pragmatics•1982

Unique citing works1
Citations per year0,25
Citation span2022 - 2022 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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