Mimesis as make-believe
On the Foundations of the Representational Arts
Datos Bibliográficos
| ID | 24196274 |
|---|---|
| Autores | Kendall L Walton (0000-0001-5302-8216) |
| Año | 1990 |
| Páginas | 450 |
| Fecha de publicación | 1990-01-01 |
| Open Access | No |
| Tipo | BOOK |
| Revista | Mimesis as make-believe (SOURCE_BOOK) |
| Editorial | Harvard University Press (PUBLISHER • US) |
| Open Library | OL2216209M |
| ISBN | 9780674576193 |
| Idioma | EN |
| Citas recibidas | 286 |
xiv, 450 p. : 24 cm
Aesthetics · Art · History · Mimesis in art · Mimesis in literature · Representation (Philosophy)
Foundations for Moral Relativism
World Building. Transmedia, Fans, Industries
Fictionality and the Alterity of Premodern Literature
Introduction
Seeming Human
Art and Intention
The Autofictional
Towards an Ontology of Simulated Social Interaction
What we talk about when we talk about play in artistic research
Political Discussion on Social Media and the Public Sphere
Mimetic and synthetic views of characters
Literary Racial Impersonation
Really Boring Art
Vision as make-believe
Responsible innovation in scientific practice
Virtual Experience in the Context of the Dispute Between Virtual Realists and Fictionalists
Intersecções Entre Materialidades E Sonoridades Na Construção Da Categoria Iyamaka Paresi-Haliti
Causation in a Virtual World
Adventures of pleasure
What are we playing with? Role-taking, role-play, and story-play with Tolkien's legendarium
The state of play for the human species
Dieu n’a pas inventé le webdocumentaire
Kultura nordycka i gotyk jako miejsca wspólne w wirtualnej rzeczywistości. Reprezentacja historycznych stylów na wybranych przykładach komputerowych gier fantasy
The so-called paradox of fiction and transcendental ontology
Does past religion have a past? Habermas, religion, and the sacred complex
Visions, writings and walls
Out of sight, but not out of mind
Ființele ficționale
Critical autobiography
Models in Engineering Design as Decision-Making Aids
Feelings, Imagination and Self-Understanding
I Mean It! (And I Cannot Help It)
L’imagination manipulatoire en mathématique
What is Distinctive of Film Emotions
The cinema of make-believe
Walton on Fictionality
Religious fictionalism
Blurred lines
Experimental Philosophy of Aesthetics
Fictionalism in Metaphysics
Imagination in science
The film narrator and the early American screenwriting manuals
Narrative Tools for Games
Implicit Game Aesthetics
The Rules of the Game-The Rules of the Player
Content and the Stream of Consciousness
Perspectives in Imaginative Engagement With Fiction
Self‐deception as Pretense
The Return of Moral Fictionalism
Seeing the Fictional
A tale of two Dickenses
Deleuze’s concept of virtuality and critical realist ontology
Long live the hyphen and the exclamation mark! On the trait-d’union as inter-ship
The “algorithmic as if
Poetic Speech Acts. A Hypothesis of Two Contexts
What does the gamer do
The philosophy of the metaverse
Ludic resistance
Real fictions
Phenomenology of imagining and the pragmatics of fictional language
Putting the ‘presumption’ back in the ‘presumption of innocence’
A local mimesis
Immersion vs. Interactivity
Hannibal and the paradox of disgust
Mental virtuosity
Breaking the Fourth Wall
Who cares about winning
Translating Historically Reflexive Perceiving from Visual to Sonic Art
Presence
Virtualism
Folk psychology as collective imagination. A commentary on Adam Toon’s Mind as Metaphor
The land of make-believe
Idealization and mental fictionalism
Miku's mask
Narrative video game aesthetics and egocentric ethics
Representation/Self-representation
After Such Knowledge, What Laughter
Pictures, Pluralism, and Feminist Epistemology
Mimesis as mediation
With or without intentions
Performances at Festival Periods in the Year and the “As If” Concept
Fictionality
Apostrophe, Speaker Projection, and Lyric World Building
Beyond Myth and Metaphor
Facing Fictions
Transmedial Storytelling and Transfictionality
Experiencing Virtual Worlds
A Concert of Paintings
Diegesis and Representation
Fiction and Imitation
Media, genres, facts and truth
Crafting Future Selves
The advantage of story-telling
Film and the new psychology
Towards a sociology of imagination
Imagined futures
Fictional Names in Psychologistic Semantics
More on Fictional Names and Psychologistic Semantics
Imagination, Psychologistic Semantics, and the Paradox of Fictional Names
Dreams, Morality and the Waking World
| Obras citantes distintas | 233 |
|---|---|
| Citas por año | 8,41 |
| Intervalo de citas | 1992 - 2026 (35) |
| Velocidad de citación | current |
| Altamente citado | Sí |
| Tipos de cita | Neutras: 85 |