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Structural and Transformational Properties of All-Interval Tetrachords

Bibliographic Data

ID4390364
AuthorsAdrian P Childs (University of Georgia, corresponding author)
Year2006
Volume12
Issue4
Publication date2006-12-01
Open AccessYes
TypeARTICLE
VenueMusic Theory Online (JOURNAL)
Journal identifiersISSN: 1067-3040 • E-ISSN: 1067-3040
PublisherSociety for Music Theory (PUBLISHER • US)
DOI10.30535/mto.12.4.3
OpenAlexW2549330885
LanguageEN
Citations received4
References cited6

An analysis (from Guy Capuzzo's 1999 dissertation) of Elliott Carter'sScrivo in Ventofor solo flute serves as a point of departure for the consideration of certain properties of all-interval tetrachords (AITs). First, the roles of the individual (and a priori distinct) dyads are examined in light of the complement-union pair property exhibited by AITs. Second, a systematic means of describing common-tone relationships among AITs is proposed and studied. Examples from two works by Carter (Shard andScrivo in Vento) show the flexibility and usefulness of the system

A priori and a posteriori · Art · Art history · Combinatorics · Epistemology · Flute · Humanities · Literature · Statistics · Transformational leadership · Chemistry · Mathematics · Music Technology and Sound Studies · Musicology and Musical Analysis · Neuroscience and Music Perception · Philosophy · Psychology · Social Psychology

  • Formation of a New Harmonic Language in Elliott Carter's String Quartet No. 2

    Laura Emmery•Contemporary Music Review•2017

  • Harmony in Elliott Carter’s Late Music

    Open Access•John Link•Music Theory Online•2019

  • Exploring Tetrachordal Voice-Leading Spaces Within and Around the Morris Constellation

    Open Access•Mark Sallmen•Music Theory Online•2011

  • After the Harvest

    Open Access•J Daniel Jenkins•Music Theory Online•2010

  • The Later Music of Elliott Carter

    Jonathan W Bernard, David I H Harvey•Music Analysis•1990

Citations per year0.25
Citation span2010 - 2019 (10)
Highly citedNo

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