Exploring Tetrachordal Voice-Leading Spaces Within and Around the Morris Constellation
Bibliographic Data
| ID | 4390928 |
|---|---|
| Authors | Mark Sallmen (University of Toronto, corresponding author) |
| Year | 2011 |
| Volume | 17 |
| Issue | 4 |
| Publication date | 2011-12-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Music Theory Online (JOURNAL) |
| Journal identifiers | ISSN: 1067-3040 • E-ISSN: 1067-3040 |
| Publisher | Society for Music Theory (PUBLISHER • US) |
| DOI | 10.30535/mto.17.4.2 |
| OpenAlex | W1490560422 |
| Language | EN |
| Citations received | 1 |
| References cited | 37 |
Building on Robert Morris's (1990) research on hexachordal ZC-relations, Stephen Soderberg (1998) identifies a constellation of ten hexachords that embed either one diminished seventh chord or two diminished triads. Soderberg divides the constellation, called MORRIS (or T-HEX), into four overlapping eight-hexachord sub-constellations based on tetrachordal subset content. The first of these sub-constellations, TRISTAN, includes the hexachords that embed two instances of set class 4-27[0258], the set class of the major-minor and half-diminished seventh chords. Similarly, constellations ZAUBER, AGITATION, and BROODING include the hexachords that embed two instances of set classes 4-18[0147], 4-13[0136], and 4-12[0236]
Astronomy · Constellation · Physics · Computer Science · Mathematics · Musicology and Musical Analysis · Neuroscience and Music Perception · Artificial Intelligence
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Geometrical Methods in Recent Music Theory
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Modeling Diatonic, Acoustic, Hexatonic, and Octatonic Harmonies and Progressions in Two- and Three-Dimensional Pitch Spaces; or Jazz Harmony after 1960
Moving Through Triadic Space
Voice Leadings as Generalized Key Signatures
Structural and Transformational Properties of All-Interval Tetrachords
A Tetrahedral Graph of Tetrachordal Voice-Leading Space
Some Remarks on the Use of Riemann Transformations
| Citations per year | 0.11 |
|---|---|
| Citation span | 2017 - 2017 (1) |
| Highly cited | No |