The Structure, Function, and Genesis of the Prechorus
Bibliographic Data
| ID | 4390696 |
|---|---|
| Authors | Jay Summach (Yale University, corresponding author) |
| Year | 2011 |
| Volume | 17 |
| Issue | 3 |
| Publication date | 2011-10-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Music Theory Online (JOURNAL) |
| Journal identifiers | ISSN: 1067-3040 • E-ISSN: 1067-3040 |
| Publisher | Society for Music Theory (PUBLISHER • US) |
| DOI | 10.30535/mto.17.3.2 |
| OpenAlex | W2285546517 |
| Language | EN |
| Citations received | 22 |
| References cited | 9 |
Prechoruses emerged in the mid-1960s as verse-chorus and strophic forms converged upon a four-part formal disposition that Everett (1999) calls "statement, restatement, departure, and conclusion," or srdc. This study traces the expansion of the srdc scheme from its compact deployment in strophes to expanded iterations that approximate verse-chorus form
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| Unique citing works | 22 |
|---|---|
| Citations per year | 1,47 |
| Citation span | 2011 - 2024 (14) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 15 |