Tolling Time
Bibliographic Data
| ID | 4390944 |
|---|---|
| Authors | Daniel Harrison (0000-0002-5710-7349, University of Rochester, corresponding author) |
| Year | 2000 |
| Volume | 6 |
| Issue | 4 |
| Publication date | 2000-10-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Music Theory Online (JOURNAL) |
| Journal identifiers | ISSN: 1067-3040 • E-ISSN: 1067-3040 |
| Publisher | Society for Music Theory (PUBLISHER • US) |
| DOI | 10.30535/mto.6.4.1 |
| OpenAlex | W4392838202 |
| Language | EN |
| Citations received | 1 |
Five clock chimes (Parsifal, Guildford, Magdalen, Westminster, and Rochester) are analyzed to show how they communicate specific values about time. These chimes are shown to have two design elements, "distinctiveness" and "emergence," that provide for particular kinds of temporal commentary
Art · Art history · Literature · Optimal distinctiveness theory · Visual arts · Psychology · Reformation and Early Modern Christianity · Social Psychology
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,05 |
| Citation span | 2004 - 2004 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |