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Modelling the Groove

Conceptual Structure and Popular Music

Bibliographic Data

ID4408690
AuthorsLawrence M Zbikowski (University of Chicago, corresponding author)
Year2004
Volume129
Issue2
Pages272-297
Publication date2004-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of the Royal Musical Association (JOURNAL)
Journal identifiersISSN: 0269-0403 • E-ISSN: 1471-6933
PublisherCambridge University Press (PUBLISHER • US)
DOI10.1093/jrma/129.2.272
OpenAlexW2022940512
LanguageEN
Citations received21
References cited4

A musical groove is most typically created by a small group of musicians working together, each contributing parts to the whole. Characterizing the knowledge behind such interactive ventures has proved to be challenging. This article attempts to characterize the knowledge basic to grooves first by concentrating on 'the groove' as it is practised in soul, rhythm and blues, jazz fusion and various other popular genres, and second by focusing on cognitive knowledge structures called conceptual models. It is argued that musicians rely on such structures to produce grooves, and that listeners make use of similar structures to understand them. Grooves from the music of Eric Clapton, Miles Davis and James Brown are discussed, and conceptual models for each are developed

Aesthetics · Art · Art history · Blues · Cognitive science · Conceptual framework · Epistemology · Groove (engineering) · Jazz · Musical · Social science · Sociology · Soul · Visual arts · Computer Science · Engineering · Mechanical Engineering · Music and Audio Processing · Music Technology and Sound Studies · Neuroscience and Music Perception · Philosophy · Psychology

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    Open Access•Jeanne Doucet•Les Cahiers de la Société…•2016

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    Toni A Bechtold, Lorenz Kilchenmann et al.•Music Perception An Interdisciplina…•2023

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  • A text mining approach to the use of “groove” in everyday language

    Open Access•Jan Stupacher, Toni Bechtold et al.•Psychology of Music•2024

  • Groove as a multidimensional participatory experience

    Open Access•Deniz Duman, Nerdinga Snape et al.•Psychology of Music•2024

  • New Riffs on the Old Mind-Body Blues

    Open Access•Tom Perchard•Journal of the Society for…•2015

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    Open Access•Fred Hosken•Psychology of Music•2018

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    Open Access•Maria A G Witek•Music Analysis•2017

  • A Phan on Phish

    Open Access•Jnan A Blau•Culture Studies ↔ Critical…•2010

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    Ingrid Monson•Saying Something•1997

  • Culture and cognition

    Open Access•Naomi Quinn, Dorothy Holland•Cultural Models in Language and…•1987

  • Tolling Time

    Open Access•Daniel Harrison•Music Theory Online•2000

Unique citing works21
Citations per year1,31
Citation span2010 - 2024 (15)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 20

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