Assemblages of conflict termination
Popular Culture, Global Politics and the End of Wars
Datos Bibliográficos
| ID | 4445181 |
|---|---|
| Autores | Cahir O’doherty (0000-0001-6900-8455, University of Groningen, autor de correspondencia) |
| Año | 2023 |
| Volumen | 37 |
| Número | 4 |
| Páginas | 567-588 |
| Fecha de publicación | 2023-12-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | International Relations (JOURNAL) |
| Identificadores de la revista | ISSN: 0047-1178 • E-ISSN: 1741-2862 |
| Editorial | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/00471178211052813 |
| OpenAlex | W3208667428 |
| Idioma | EN |
| Referencias citadas | 42 |
The question of how wars end is of continued importance, especially in the context of the ongoing War on Terror. This question has traditionally been approached within International Relations through rational choice theories, logical modelling and game theory. Such approaches have become increasingly ill-suited to capturing the complexity and ambiguity of contemporary warfare and the War on Terror in particular. These battlefield ambiguities are often at odds with political and public desires to see decisive victory in wars. This article builds on recent critical work within War Termination Studies in order to re-conceptualise the end of war as assemblages. By paying greater attention to the affects inculcated by political rhetoric surrounding war and utilising the concepts of affect and emergence, this article presents a novel approach to the study of contemporary war termination. Utilising popular culture, increasingly seen as a crucial site of global politics, the case study analysed here advances the argument that sacrifice emerges from cinema and presidential rhetoric as a trope that allows leaders to claim victory in war despite indecisive conditions of the ground. Through affective cinematic encounters, conceptualised here through the end of wars assemblages, audiences can become more accepting of such political claims
Aesthetics · Argument (complex analysis) · Context (archaeology) · Media studies · Political economy · Political science · Politics · Rhetoric · Sociology · Victory · European and Russian Geopolitical Military Strategies · Hannah Arendt's Political Philosophy · History · Intelligence, Security, War Strategy · Law
Pathologies of Rational Choice Theory
The Evangelical-Capitalist Resonance Machine
After the Globe, Before the World
The historical context of Thucydides' Funeral Oration
Culture, Crisis and America's War on Terror
To boldly torture where no one has tortured before – Star Trek and the transformation of the ‘progressive’ social imaginary of torture in the United States
The Coalition of the Unwilling
Hollywood and Cinematic Representations of Far-Right Domestic Terrorism in the U.S
Security as controversy
An assemblage approach to liquid warfare
Welcome home! Routines, ontological insecurity and the politics of US military reunion videos
The Relevance of Emotions in Presidential Public Appeals
The Aesthetic Turn in International Political Theory
Have You Won the War on Terror? Military Videogames and the State of American Exceptionalism
Undoing War
Introduction
How do wars end? A multidisciplinary enquiry
Nobody wins the victory taboo in just war theory
In pursuit of accountability during and after war
The Tyranny of the Serial
A feminist critique of rational-choice theories
Where We At? New Directions for Research on Popular Culture and World Politics
Thinking About the Role of Popular Culture in International Conflicts
New Philosophy of Society
Pop Goes IR? Researching the Popular Culture—World Politics Continuum
Failing to Win
Synthetic Experiences
Does Science Fiction Affect Political Fact? Yes and No
Rationalist Approaches to Conflict Prevention and Resolution
How Initiators End Their Wars
Quagmires in the periphery
Toys for the Boys? Drones, Pleasure and Popular Culture in the Militarisation of Policing
Geopolitical assemblages and complexity
Hollywood and the Popular Geopolitics of the War on Terror
Mapping the End Times
Hollywood, the Pentagon, and the cinematic production of national security
The Culture War Gone Global
The USA and Sporting Diplomacy
Is Talk Really Cheap? Prompting Conversation between Critical Theory and Rational Choice
Marxism and Rational Choice
Security Beyond the State
Performing Mass Murder
| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |