A report on the reports of the stanford literary lab
A reason why the digital humanities may find it difficult to change literary history
Datos Bibliográficos
| ID | 4474201 |
|---|---|
| Autores | Daniel Candel, Daniel Candel Bormann (0000-0003-4320-4639, Universidad de Alcalá, autor de correspondencia) |
| Año | 2018 |
| Volumen | 2018 |
| Número | 224 |
| Páginas | 111-134 |
| Fecha de publicación | 2018-09-25 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Semiotica (JOURNAL) |
| Identificadores de la revista | ISSN: 0037-1998 • E-ISSN: 1613-3692 |
| Editorial | Walter de Gruyter GmbH (PUBLISHER • DE) |
| DOI | 10.1515/sem-2016-0223 |
| OpenAlex | W2887174993 |
| Idioma | EN |
| Citas recibidas | 2 |
| Referencias citadas | 24 |
The present article studies eight of the twelve reports of the Stanford Literary Lab (SLL) to understand why the revolutionary practices of the lab, and by extension of the digital humanities, have not yet changed literary history, as the lab itself admits. The article examines the reports with two related cultural-semantic tools, each of which is introduced via the Pixar movieBrave. First, the interpretations of the reports are placed within a basic semantic grid organized into four quadrants by a nature-society axis and a past-present axis, which shows that the interpretations are invariably situated in the present-society quadrant. This analysis, while necessary, merely proves that SLL operates within a certain cultural climate. The real test lies in ascertaining whether this cultural climate affects the interpretation of novel data. To do so, the article looks for the reaction of SLL to novel data in two reports. The reports are shown to domesticate novelty by explaining it through standard alethic/deontic patterns, even though the data are novel precisely because the patterns largely fail to explain them. The article closes by asking whether such patterns limit or enable thinking and what this means for the digital humanities
Art · Digital humanities · Epistemology · Extension (predicate logic) · Humanities · Interpretation (philosophy) · Linguistics · Literature · Novelty · Situated · Sociology · Artificial Intelligence · Computer Science · Digital Games and Media · Digital Humanities and Scholarship · History · Narrative Theory and Analysis · Philosophy · Psychology · Social Psychology
The way of the world
The Limits of Critique
Signs taken for wonders
Metahistory
Keywords (Routledge Revivals)
Topics in Philosophical Logic
Marxism and Literary History
Reassembling the Social
Analyzing the fictional worlds of Pixar with an eye on digital humanities
An Essay in Modal Logic
Interdisciplining Digital Humanities
Possible Worlds in the History of the Novel
Advanced literacy and the place of literary semantics in secondary education
Moving Possible World Theory from Logic to Value
Hayden White's Philosophical History
On Midlevel Concepts
| Obras citantes distintas | 2 |
|---|---|
| Citas por año | 0,33 |
| Intervalo de citas | 2020 - 2021 (2) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 2 |