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Spatial diagrams and geometrical reasoning in the theater

Bibliographic Data

ID4474216
AuthorsIrit Degani-Raz (Tel Aviv University , Tel Aviv , Israel, corresponding author)
Year2021
Volume2021
Issue239
Pages177-200
Publication date2021-03-26
Open AccessYes
TypeARTICLE
VenueSemiotica (JOURNAL)
Journal identifiersISSN: 0037-1998 • E-ISSN: 1613-3692
PublisherWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.1515/sem-2019-0052
OpenAlexW3126392404
LanguageEN
Citations received3
References cited14

This article offers an analysis of the cognitive role of diagrammatic movements in the theater. Based on the recognition of a theatrical work's inherent ability to provide new insights concerning reality, the article concentrates on the way by which actors' movements on stage create spatial diagrams that can provide new insights into the spectators' world. The suggested model of theater's epistemology results from a combination of Charles S. Peirce's doctrine of diagrammatic reasoning and David Lewis's theoretical account of the truth value of counterfactual conditionals. I argue that in several theatrical works - in particular those whose central image is dominated by movements - the relation of what Lewis names "comparative overall similarity" between the fictional and the actual world is based on diagrammatic homology. The cognitive process involved in deciphering them is, hence, based on diagrammatic reasoning. The main emphasis of the analysis is on the previously unnoticed but important cognitive role of observation in the theater: the idea that observation takes an active role in the reasoning process that enables the spectators to form new knowledge about their actual world. Samuel Beckett's plays Quad and Come and Go serve here as case studies

Cognition · Cognitive science · Counterfactual thinking · Diagrammatic reasoning · Doctrine · Epistemology · Image (mathematics) · Linguistics · Relation (database) · Similarity (geometry) · Sociology · Value (mathematics) · Artificial Intelligence · Computer Science · Language, Metaphor, and Cognition · Philosophy · Psychology · Samuel Beckett and Modernism · Theatre and Performance Studies

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    Herta Schmid, H Giles Schmid•Canadian-American Slavic Studies•1988

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    Open Access•Tamar Szabó Gendler•Philosophy of Science•2004

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Citations per year0.75
Citation span2022 - 2022 (1)
Highly citedNo

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