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Lenin in Las Meninas

An Essay in Historical-Materialist Vision

Bibliographic Data

ID4496434
AuthorsGeoffrey Waite (corresponding author)
Year1986
Volume25
Issue3
Pages248
Publication date1986-10-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueHistory and Theory (JOURNAL)
Journal identifiersISSN: 0018-2656 • E-ISSN: 1468-2303
PublisherJSTOR (PUBLISHER)
DOI10.2307/2505191
OpenAlexW2331052599
LanguageEN
Citations received3

Take the most looked-at artifact in history, a specific oil painting, and assume that the entire response to it (including all the controversy surrounding it) constitutes and symptomatizes a single, ideologically determined view. Then take the most significant modern representative of the refusal to look (except in passing) at cultural artifacts generally and at painting in particular. Require this exemplary nonviewer to see that exemplary work. Now consider ex hypothesi, as artifact, Velazquez's painting known as Las Meninas and, as nonviewer, Lenin. What has the consensus looked at, what can Lenin see, and how do these two visual activities relate to one another now, at our moment of late capitalist hegemony

Aesthetics · Art · Art history · Epistemology · Historical materialism · Literature · Marxist philosophy · Materialism · Politics · Psychoanalysis · Philosophy · Photographic and Visual Arts · Psychology

  • Why Are Our Pictures Puzzles? Some Thoughts on Writing Excessively

    J Elkins•New Literary History•1996

  • Reading Las Meninas

    Marian Mikaylo Ortuno, Marian Ortuño•Hispania•2012

  • Supposing

    Colleen Ruth Rosenfeld•Critical Inquiry•2026

Unique citing works3
Citations per year0,1
Citation span1996 - 2026 (31)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 1

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