Resistance, Parody, and Double Consciousness in African-American Theatre, 1895-1910
Bibliographic Data
| ID | 4546217 |
|---|---|
| Authors | Christine R Gray (corresponding author), David Krasner (0009-0003-3859-5580) |
| Year | 2000 |
| Volume | 34 |
| Issue | 1 |
| Pages | 155 |
| Publication date | 2000-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | African American Review (JOURNAL) |
| Journal identifiers | ISSN: 1062-4783 • E-ISSN: 1945-6182 |
| Publisher | Penn State Press (Project Muse) (PUBLISHER) |
| DOI | 10.2307/2901192 |
| OpenAlex | W1507980215 |
| Language | EN |
| Citations received | 24 |
Acknowledgments - Introduction: Black Theatre and American Culture - 'The Mirror Up To Nature': Modernist Aesthetics and Racial Authenticity in African American Theatre, 1895-1900 - 'Glimpses of Higher Possibilities': Class and Race in African American Theatre During the Early Progressive Era - Rewriting the Body: Aida Overton Walker and the Social Formation of Cakewalking - 'Have You Ever Seen Anyone Stick So Close to a Cracker?': Parody, Romance, and History in Williams and Walker's Abyssinia - 'The Ladder of Fame': Pragmatist Ideology and Overlapping Diasporas in African American Theatre, 1906-1910 - 'A Way of Telling Things': The Past Is Now Present - Endnotes -Bibliography
Aesthetics · Art · Consciousness · Double consciousness · Literature · Resistance (ecology · History · Psychology · Race, History, and American Society · Theater, Performance, and Music History
Forgotten Manuscripts
Spectacular Opacities
She Wears the Masks
Clef Club Inc.: James Reese Europe and New York's Musical Marketplace
Paul Laurence Dunbar and the Marshall Circle
The Witch of Endor Slept Here
Choreographing Time Travel
Bulldaggers, Pansies, and Chocolate Babies
Understanding Video Game Music
Oh, You Black Bottom!” Appropriation, Authenticity, and Opportunity in the Jazz Dance Teaching of 1920s New York
The Comic Side of Gender Trouble and Bert Williams' Signature Act
Spectacle and Subversive Laughter in Ngugi wa Thiong’o’s Wizard of the Crow
Feeding Race
Passing for Black
In Dahomey in England
Routes of Blackface
The Black Dandyism of George Walker
Uncle Tom's Cabin
Lessons in Blackbody Minstrelsy
Metroimperial Intimacies
Jamaica on Broadway
"Dancing with "Racial Feet
Immigrants! We get the Job Done
The Informational Economy of Vaudeville and the Business of American Entertainment
| Unique citing works | 24 |
|---|---|
| Citations per year | 0,92 |
| Citation span | 2000 - 2021 (22) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 21 |