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"Staging "a Queene opprest

William Habington's Exploration of the Politics of Queenship on the Caroline Stage

Bibliographic Data

ID4550626
AuthorsRebecca Bailey (0000-0002-7153-5307, corresponding author), Rebecca A Bailey
Year2013
Volume65
Issue2
Pages197-214
Publication date2013-05-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueTheatre Journal (JOURNAL)
Journal identifiersISSN: 0192-2882 • E-ISSN: 1086-332X
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/tj.2013.0051
OpenAlexW2082826572
LanguageEN
Citations received1
References cited6

This essay deepens our growing understanding of Caroline theatre as a vibrant space that boldly engaged with contemporary issues. As England lurched toward civil war, there was growing unease within the Protestant establishment at the apparent success of Queen Henrietta Maria's Counter-Reformation ambitions. During this period, competing ideals of queenly conduct were performed on both the elite and commercial stages. William Habington's The Queen of Aragon (licensed and published in 1640) exposed the dilemma of a virtuous queen chastised by her people for seeking foreign support to quell insurrection. Notably, Henrietta Maria was criticized in precisely these terms during the Scottish crisis of 1638-40. Habington, a respected figure in the recusant community who enjoyed the patronage of both Henrietta Maria and the godly Earl of Pembroke, offered a surprising alternative to such political isolation. Through a brilliant revision of fashionable Neoplatonic drama, he successfully transformed the troubling image of "a Queene opprest" into a paradigm of queenly enlightenment

Archaeology · Art · Art history · Counter-Reformation · Drama · Elite · Enlightenment · Henry IV, Holy Roman Emperor · Literature · Performance art · Political science · Politics · Protestantism · Queen (butterfly · Spanish Civil War · Theology · Tragedy (event · Historical Art and Culture Studies · Historical Studies of British Isles · History · Law · Philosophy · Scottish History and National Identity

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    Sir William Davenant, A M Gibbs•The Shorter Poems, and Songs from…•1638

  • The Theatres of Inigo Jones and John Webb

    John Orrell, J L Orrell et al.•Renaissance and Reformation•2009

  • Women and Catholic Manuscript Networks in Seventeenth-Century England

    Open Access•Helen Hackett•Renaissance Quarterly•2012

  • The Puritan followers of Henrietta Maria in the 1630s

    R Malcolm Smuts•The English Historical Review•1978

  • Caroline Salon Culture and Female Agency

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Unique citing works1
Citations per year0,13
Citation span2018 - 2018 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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