Bodies, Race, and Performance in Derek Walcott's A Branch of the Blue Nile
Bibliographic Data
| ID | 4551263 |
|---|---|
| Authors | Joyce Green Macdonald (corresponding author) |
| Year | 2005 |
| Volume | 57 |
| Issue | 2 |
| Pages | 191-203 |
| Publication date | 2005-05-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Theatre Journal (JOURNAL) |
| Journal identifiers | ISSN: 0192-2882 • E-ISSN: 1086-332X |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/tj.2005.0069 |
| OpenAlex | W2005012630 |
| Language | EN |
| Citations received | 2 |
| References cited | 16 |
This article discusses Derek Walcott's play, A Branch of the Blue Nile, as a postcolonial adaptation of Shakespeare and as a meditation on the connections between gender, race and performance in Caribbean culture
Adaptation (eye · Archaeology · Art · Meditation · Race (biology · Sociology · Caribbean history, culture, and politics · Gender Studies · History · Philippine History and Culture · Postcolonial and Cultural Literary Studies · Psychology
Acting (Re)Considered
Black Skin, White Masks
Women and Race in Early Modern Texts
Shakespeare and the Force of Modern Performance
How Peoples Get Made
Charting the “Amnesiac Atlantic”
Walcott versus Brathwaite
Epic of the Dispossessed
Public Spectacles
Truth and Representation
An Interview With Derek Walcott
Women, "Race," and Writing in the Early Modern Period
Sex tourism in Cuba
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,14 |
| Citation span | 2012 - 2024 (13) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 1 |