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Grief Machines

Transhumanist Theatre, Digital Performance, Pandemic Time

Bibliographic Data

ID4553405
AuthorsFintan Walsh (corresponding author)
Year2021
Volume73
Issue3
Pages391-407
Publication date2021-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueTheatre Journal (JOURNAL)
Journal identifiersISSN: 0192-2882 • E-ISSN: 1086-332X
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/tj.2021.0074
OpenAlexW3205182665
LanguageEN
Citations received6
References cited1

This essay examines some of the ways in which mediatized theatre has grieved for live performance during the coronavirus pandemic, with the mourning of live arts, shared physical experience, and human life intertwined. Focusing on Dead Centre's production To Be a Machine (Version 1.0), which was originally presented as part of Dublin Theatre Festival in 2020, it considers the relationship between theatrical performance mediatized to screens in our largely quarantined domestic spaces and the everyday scenes of living and dying, longing and grieving, which also became abruptly confined to the same surfaces. Focusing on a digital dramaturgy of disembodied heads, the essay explores how grief plays out in anxieties of bodily loss, fragmentation, and dematerialization, and how these concerns have deeper roots in histories of digital culture, AI-enhanced technology and artistic responses, and turn of the twentieth-century stage experimentation. The essay ultimately argues that mediatized theatre not only replicates and reinforces some of the more difficult deprivations of pandemic time, which are prefigured in some of modernity's concerns, but in responding reflexively and reflecting critically on those same conditions, it can offer some strategies for navigating the borders between departed and emergent ways of living and performing

Aesthetics · Art · Digital media · Drama · Dramaturgy · Epistemology · Grief · Modernity · Performing arts · Political science · Sociology · The arts · Theatre studies · Visual arts · Art Therapy and Mental Health · Cinema and Media Studies · Philosophy · Psychology · Theatre and Performance Studies

  • Ghostwriting the Stage

    Eddie Hanchen Feng•Performance Research•2024

  • Emotional Weather Reports

    Oscar Tantoco Serquiña•Performance Research•2023

  • An autoethnographic exploration of the presence of death and grief within applied theatre with older adults

    Open Access•Georgia Grace Bowers•Research in Drama Education The…•2025

  • Chatting with the dead

    Open Access•Leah Henrickson•Media Culture & Society•2023

  • Performing Grief in Pandemic Theatres

    Open Access•Fintan Walsh•Performing Grief in Pandemic…•2024

  • Gender Washing War

    Open Access•Natalie Jester, Rosie Walters•International Political Sociology•2024

  • Unmarked

    Peggy Phelan•Unmarked•1993

Unique citing works6
Citations per year2
Citation span2023 - 2025 (3)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 6

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Open DOIOpen Access
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