Performing Grief in Pandemic Theatres
Bibliographic Data
| ID | 5774438 |
|---|---|
| Authors | Fintan Walsh (corresponding author) |
| Year | 2024 |
| Publication date | 2024-04-19 |
| Open Access | Yes |
| Type | BOOK |
| Venue | Performing Grief in Pandemic Theatres (SOURCE_BOOK) |
| Publisher | Cambridge University Press (PUBLISHER • US) |
| DOI | 10.1017/9781009464826 |
| OpenAlex | W4394960728 |
| ISBN | 9781009464826 |
| Language | EN |
| Citations received | 3 |
| References cited | 27 |
This Element explores how theatre responded to the death and loss produced by the COVID-19 pandemic, by innovating forms and spaces designed to support us in grief. It considers how theatre grieved for itself, for the dead, for lost ways of living, while also imagining and enacting new modes of being together. Even as it reckoned with its own demise, theatre endeavoured to collectivise grief by performing a range of functions more commonly associated with funerary, health and social care services, which buckled under restrictions and neglect. These pandemic theatres show how grief cannot only be let mourn over individual losses in private, but how it must also seep into the public sphere to fight to save critical services, institutions, communities and art forms, including theatre itself
Demise · Pandemic · Art Therapy and Mental Health · Grief, Bereavement, and Mental Health · Theatre and Performance Studies
Trauma
The Haunted Stage
Notes Toward a Performative Theory of Assembly
Touch (Sk)Interrupted
Our Grateful Dead
Mocked with Death
The Anthropology of Death
Pandemic protests
The Dual Process Model of Coping With Bereavement
Stages of Grief
Music, Mourning, and Consolation
The Time of Slavery
Les statues meurent aussi
Grief Machines
My Memories of the Time We Had Together Are More Important
| Unique citing works | 3 |
|---|---|
| Citations per year | 3 |
| Citation span | 2025 - 2026 (2) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 3 |