Redefining Modernism
Stuart Davis's Cold War Champion series
Bibliographic Data
| ID | 4554530 |
|---|---|
| Authors | Kamila Benayada (Université d'Orléans, corresponding author) |
| Year | 2018 |
| Volume | 11 |
| Issue | 11 |
| Publication date | 2018-06-21 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | IdeAs (JOURNAL) |
| Journal identifiers | ISSN: 1950-5701 • E-ISSN: 1950-5701 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/ideas.2385 |
| OpenAlex | W2809602824 |
| Language | EN |
| References cited | 1 |
Stuart Davis’s Champion paintings of the 1950s and ‘60s re-examine and re-conceptualize early modernism, adapting it to a new environment, by defining an esthetics of inter-relations: with his own earlier works, with French and American modernism, and with the visual environment of popular culture, thereby creating flux within a visual constellation
Art · Art history · Champion · Cold war · Economics · Management · Political science · Politics · Art, Politics, and Modernism · European history and politics · Law · Philosophy · World Wars: History, Literature, and Impact · Geology
| Highly cited | No |
|---|