Kamila Benayada
Biographic Data
| ID | 1711092 |
|---|---|
| NAME | Kamila Benayada |
| GIVEN NAMES | Kamila |
| FAMILY NAME | Benayada |
| SIGNATURE | BENAYADA K |
| AFFILIATIONS | Université d'Orléans |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Stuart Davis’s Theory and Practice of ‘Color-Space’
Stuart Davis’s paintings include both lines and colour planes. Lines define these colour planes, enclose colours, and in them originates the experience produced by the work. But colour, especially in Davis’s serial works (Little Giant Still Life series, Letter and His Ecol series, Gloucester Harbour series), becomes autonomous in redefining the painting. It opposes stability and introduces movement and time in the work. Through colour, the work b…
Redefining Modernism
Stuart Davis’s Champion paintings of the 1950s and ‘60s re-examine and re-conceptualize early modernism, adapting it to a new environment, by defining an esthetics of inter-relations: with his own earlier works, with French and American modernism, and with the visual environment of popular culture, thereby creating flux within a visual constellation
Histoire de l'art et Visual Culture aux États-Unis
This co-authored paper seeks to describe a recent epistemological trend in both American art history and visual culture studies, i.e. the tendency towards de-estheticizing art and visual culture and re-contextualizing visual works in social, cultural, and political terms. The first part of the paper examines more specifically the concerns and methods adopted in a number of recent prominent books and exhibitions on American art. It emphasizes an i…
No prominent works on this page.
Histoire de l'art et Visual Culture aux États-Unis
This co-authored paper seeks to describe a recent epistemological trend in both American art history and visual culture studies, i.e. the tendency towards de-estheticizing art and visual culture and re-contextualizing visual works in social, cultural, and political terms. The first part of the paper examines more specifically the concerns and methods adopted in a number of recent prominent books and exhibitions on American art. It emphasizes an i…
Redefining Modernism
Stuart Davis’s Champion paintings of the 1950s and ‘60s re-examine and re-conceptualize early modernism, adapting it to a new environment, by defining an esthetics of inter-relations: with his own earlier works, with French and American modernism, and with the visual environment of popular culture, thereby creating flux within a visual constellation
Stuart Davis’s Theory and Practice of ‘Color-Space’
Stuart Davis’s paintings include both lines and colour planes. Lines define these colour planes, enclose colours, and in them originates the experience produced by the work. But colour, especially in Davis’s serial works (Little Giant Still Life series, Letter and His Ecol series, Gloucester Harbour series), becomes autonomous in redefining the painting. It opposes stability and introduces movement and time in the work. Through colour, the work b…
Art (3 works) · Philosophy (3 works) · Art history (2 works) · Geology (2 works) · Photography and Visual Culture (2 works) · Visual Culture and Art Theory (2 works) · Aesthetics (1 work) · Architecture and Art History Studies (1 work) · Art, Politics, and Modernism (1 work) · Attraction (1 work)