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Histoire de l'art et Visual Culture aux États-Unis

Quelle Pertinence Pour Les Études De Civilisation

Bibliographic Data

ID6167813
AuthorsKamila Benayada, François Brunet (Délégation Paris 7)
Year2006
Volume109
Issue3
Pages39-39
Publication date2006-01-01
Open AccessNo
TypeARTICLE
VenueRevue française d’études américaines (JOURNAL)
Journal identifiersISSN: 0397-7870 • E-ISSN: 1776-3061
PublisherÉditions Belin (PUBLISHER • FR)
DOI10.3917/rfea.109.0039
OpenAlexW1544445619
LanguageFR

This co-authored paper seeks to describe a recent epistemological trend in both American art history and visual culture studies, i.e. the tendency towards de-estheticizing art and visual culture and re-contextualizing visual works in social, cultural, and political terms. The first part of the paper examines more specifically the concerns and methods adopted in a number of recent prominent books and exhibitions on American art. It emphasizes an increasing appeal to broad contextualization and a growing skepticism with the traditional quest for "Americanness" in American art. The second part deals with similar trends in the field of visual culture. It registers a predominantly theoretical and political approach, which it attributes to the inspiration of W.J.T. Mitchell's pioneering work. Finally, the relevance of these trends to the field of American studies in France is emphasized, especially with regard to the predominantly traditionalist conception of art and art history in the French academia

Art · Humanities · French Historical and Cultural Studies · Philosophy · Photography and Visual Culture · Visual Culture and Art Theory

Highly citedNo

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