Du rôle de la phantasia au théâtre et dans le roman
Bibliographic Data
| ID | 4555115 |
|---|---|
| Authors | Marc Richir (corresponding author) |
| Year | 2003 |
| Volume | 132 |
| Issue | 4 |
| Pages | 24-33 |
| Publication date | 2003-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Littérature (JOURNAL) |
| Journal identifiers | ISSN: 0047-4800 • E-ISSN: 1958-5926 |
| Publisher | PERSEE Program (PUBLISHER) |
| DOI | 10.3406/litt.2003.1817 |
| OpenAlex | W2052457734 |
| Language | FR |
| Citations received | 1 |
Of the Role of Phantasia in Theatre and in the Novel Husserl distinguishes clearly between imagination (Einbilfung) and Phantasie, for which we will use the Greek phantasia; the former involves an intentionally represented (either concretely or in the mind) object, which therefore has a kind of presence, whereas the latter is diverse, changing, and above all exists without any kind of presence. The way the public understands the actor to represent a character therefore depends on phantasia (because the actor is not an imagined character, nor is he himself when acting badly); and the reading of novels, even more so
Art · Character (mathematics · Epistemology · Humanities · Linguistics · Object (grammar · Reading (process · Reflexive pronoun · French Literature and Critical Theory · Linguistics and Discourse Analysis · Philosophy · Psychoanalysis and Psychopathology Research
| Citations per year | 0.5 |
|---|---|
| Citation span | 2024 - 2024 (1) |
| Highly cited | No |