Arrêt sur image dans La Princesse de Clèves
Bibliographic Data
| ID | 4555441 |
|---|---|
| Authors | Jean-Pierre Montier (corresponding author) |
| Year | 2000 |
| Volume | 119 |
| Issue | 3 |
| Pages | 3-20 |
| Publication date | 2000-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Littérature (JOURNAL) |
| Journal identifiers | ISSN: 0047-4800 • E-ISSN: 1958-5926 |
| Publisher | PERSEE Program (PUBLISHER) |
| DOI | 10.3406/litt.2000.1682 |
| OpenAlex | W2079672618 |
| Language | FR |
Still Frames in "The Princess of Cleves". As is well known, the novel sets up a system of visual communication whose means include complex staging of the sense of sight, circulation of portraits - and descriptions. These, in subtle contradiction with reason's narrative discourse, enrich the novel's overall meaning
Art · Contradiction · Epistemology · Linguistics · Literature · Meaning (existential · Narrative · Physics · Sight · French Literature and Criticism · Historical and Literary Analyses · Historical and Literary Studies · Philosophy
| Highly cited | No |
|---|