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The Late Nadine Gordimer

Bibliographic Data

ID4603863
AuthorsGraham K Riach (0000-0002-2378-523X, Emmanuel College, University of Cambridge, corresponding author)
Year2017
Volume43
Issue4
Pages851-851
Publication date2017-07-04
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of Southern African Studies (JOURNAL)
Journal identifiersISSN: 0305-7070 • E-ISSN: 1465-3893
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/03057070.2017.1328193
OpenAlexW4238387162
LanguageEN
Citations received5
References cited1

Towards the end of her writing life, Nadine Gordimer’s style became increasingly marked by characteristics that Theodor Adorno and Edward Said have attributed to ‘late style’: syntactic and interpretational difficulty, structural fracture, and a heightened degree of self-reflexivity. I discuss some of the critical formulations that have developed around late style, then analyse Gordimer’s individual late style in the titular stories from her three transition and post-apartheid collections: Jump (1991), Loot (2003), and Beethoven Was One-Sixteenth Black (2007). While examining the technical characteristics of her late style, I argue that she invokes a trinity of renowned late stylists – Samuel Beckett, William Shakespeare, and Ludwig van Beethoven – to determine the aesthetic co-ordinates of her work. Gordimer’s stylistic experimentation in these stories builds on and revises her prior strategies for political writing, showing the temporal contingency of forms of engagement, and laying down the gauntlet of political authorship to those who write in her wake

Aesthetics · Art · Contingency · Linguistics · Literature · Political science · Politics · Reflexivity · Sociology · Anthropology · French Historical and Cultural Studies · Historical Gender and Feminism Studies · History · Law · Musicology and Musical Analysis · Philosophy · Poetry Analysis and Criticism · Translation Studies and Practices

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Unique citing works4
Citations per year0,56
Citation span2017 - 2024 (8)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 5

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