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The aesthetics of music video

An analysis of Madonna's 'Cherish

Bibliographic Data

ID4744614
AuthorsCarol Vernallis (corresponding author)
Year1998
Volume17
Issue2
Pages153-185
Publication date1998-05-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenuePopular Music (JOURNAL)
Journal identifiersISSN: 0261-1430 • E-ISSN: 1474-0095
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0261143000000581
OpenAlexW2124333662
LanguageEN
Citations received11
References cited5

When we become engaged with a music video, what draws us in? What constitutes craft or artistry in the genre? Theorists of music video have usually addressed these questions from the perspective of sociology, film theory or popular cultural studies. Film theory, in particular, has had a tremendous influence on the analysis of music video, because of the two genres' apparently similar structuring of sound and image. But by the criteria of film, music videos tend to come off as failed narratives; the genre's effectiveness eludes explanation

Aesthetics · Art · Craft · Literature · Narrative · Perspective (graphical · Political science · Popular music · Sociology · Structuring · Visual arts · Cinema and Media Studies · Media, Gender, and Advertising · Music History and Culture

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Unique citing works11
Citations per year0,42
Citation span2000 - 2025 (26)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 11

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