Carol Vernallis
Biographic Data
| ID | 2016996 |
|---|---|
| NAME | Carol Vernallis |
| GIVEN NAMES | Carol |
| FAMILY NAME | Vernallis |
| SIGNATURE | VERNALLIS C |
| AFFILIATIONS | University of Northern Iowa |
| VERIFIED | No |
| TOTAL WORKS | 13 |
| TOTAL CITATIONS | 7 |
| AUTHOR COUNT | 10 |
| EDITOR COUNT | 3 |
| FIRST PUBLICATION YEAR | 1997 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 2 |
Transmedia Directors
Transmedia Directors focuses on artist-practitioners who work across media, platforms, and disciplines, including film, television, music video, commercials, and the internet. Working in the age of media convergence, today's em/impresarios project a distinctive style that points toward a new contemporary aesthetics. The media they engage with enrich their practices - through film and television (with its potential for world-building and sense of …
Dangerous Mediations
"In 2007, an unlikely troupe of 1500 Filipino prisoners became Internet celebrities after their YouTube video of Michael Jackson's ground-breaking hit 'Thriller' went viral. Taking this spectacular dance as a point of departure, Dangerous Mediations explores the disquieting development of prisoners performing punishment to a global, online audience. Combining analysis of this YouTube video with first-hand experiences from fieldwork in the Philipp…
The Oxford Handbook of Sound and Image in Digital Media
This text surveys the contemporary landscape of audiovisual media. This book volume look not only to changes brought by digital innovations, but to the complex social and technological past that informs, and is transformed by, new media. This collection is conceived as a series of dialogues and inquiries by leading scholars from both image- and sound-based disciplines. Chapters explore the history and the future of moving-image media across a ran…
Unruly Media
Unruly Media argues that we are the crest of a new international style in which sonic and visual parameters become heightened and accelerated. This audiovisual turn calls for new forms of attention. Post-classical cinema, with its multi-plot narratives and flashy style, fragments under the influence of audiovisual numbers and music-video-like sync. Music video becomes more than a way of selling songs. YouTube's brief, low-res clips encompass many…
The Oxford Handbook of New Audiovisual Aesthetics
This volume offers new ways to read the audiovisual. In the media landscapes of today, conglomerates jockey for primacy and the Internet increasingly places media in the hands of individuals - producing the range of phenomena from movie blockbuster to YouTube aesthetics. Media forms and genres are proliferating and interpenetrating, from movies, music, and other entertainments streaming on computers and iPods to video games and wireless phones. '…
Music Video and YouTube: New Aesthetics and Generic Transformations
Music Video and YouTube
Music video, songs, sound
A close reading of Michel Gondry's Eternal Sunshine will show that music video directors bring to the cinema not only fancy editing, nor simply a special way of handling film-sound and music, but something more: a way of assembling material in general. Music video is a musical form. Videos often reflect a song's form and pick up on specific melodic, rhythmic and timbral features. The image can even seem to imitate sonic properties like ebb, flow …
The Functions of Lyrics in Music Video
The kindest cut
The kindest cut: functions and meanings of music video editing Get access Carol Vernallis Carol Vernallis Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 42, Issue 1, Spring 2001, Pages 21–48, https://doi.org/10.1093/screen/42.1.21 Published: 01 March 2001
Analysing Musical Multimedia
Foreword PART I Introduction to Part 1: Music and Meaning in the Commercials 1. Synaesthesia and Similarity 2. Multimedia as metaphor 3. Models of multimedia PART 2 Introduction to Part 1: Steps Towards Analysis 4. Credit Where It's Due: Madonna's Material Girl 5. Disney's Dream: The Rite of Spring sequence from Fantasia 6. Reading film and re-reading opera: from Armide to Aria Conclusion: The Lonely Muse Index
The aesthetics of music video
When we become engaged with a music video, what draws us in? What constitutes craft or artistry in the genre? Theorists of music video have usually addressed these questions from the perspective of sociology, film theory or popular cultural studies. Film theory, in particular, has had a tremendous influence on the analysis of music video, because of the two genres' apparently similar structuring of sound and image. But by the criteria of film, mu…
Teaching Music Video
The aesthetics of music video
When we become engaged with a music video, what draws us in? What constitutes craft or artistry in the genre? Theorists of music video have usually addressed these questions from the perspective of sociology, film theory or popular cultural studies. Film theory, in particular, has had a tremendous influence on the analysis of music video, because of the two genres' apparently similar structuring of sound and image. But by the criteria of film, mu…
Music video, songs, sound
A close reading of Michel Gondry's Eternal Sunshine will show that music video directors bring to the cinema not only fancy editing, nor simply a special way of handling film-sound and music, but something more: a way of assembling material in general. Music video is a musical form. Videos often reflect a song's form and pick up on specific melodic, rhythmic and timbral features. The image can even seem to imitate sonic properties like ebb, flow …
Teaching Music Video
The aesthetics of music video
When we become engaged with a music video, what draws us in? What constitutes craft or artistry in the genre? Theorists of music video have usually addressed these questions from the perspective of sociology, film theory or popular cultural studies. Film theory, in particular, has had a tremendous influence on the analysis of music video, because of the two genres' apparently similar structuring of sound and image. But by the criteria of film, mu…
The kindest cut
The kindest cut: functions and meanings of music video editing Get access Carol Vernallis Carol Vernallis Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 42, Issue 1, Spring 2001, Pages 21–48, https://doi.org/10.1093/screen/42.1.21 Published: 01 March 2001
Analysing Musical Multimedia
Foreword PART I Introduction to Part 1: Music and Meaning in the Commercials 1. Synaesthesia and Similarity 2. Multimedia as metaphor 3. Models of multimedia PART 2 Introduction to Part 1: Steps Towards Analysis 4. Credit Where It's Due: Madonna's Material Girl 5. Disney's Dream: The Rite of Spring sequence from Fantasia 6. Reading film and re-reading opera: from Armide to Aria Conclusion: The Lonely Muse Index
The Functions of Lyrics in Music Video
Music video, songs, sound
A close reading of Michel Gondry's Eternal Sunshine will show that music video directors bring to the cinema not only fancy editing, nor simply a special way of handling film-sound and music, but something more: a way of assembling material in general. Music video is a musical form. Videos often reflect a song's form and pick up on specific melodic, rhythmic and timbral features. The image can even seem to imitate sonic properties like ebb, flow …
Music Video and YouTube: New Aesthetics and Generic Transformations
Music Video and YouTube
Unruly Media
Unruly Media argues that we are the crest of a new international style in which sonic and visual parameters become heightened and accelerated. This audiovisual turn calls for new forms of attention. Post-classical cinema, with its multi-plot narratives and flashy style, fragments under the influence of audiovisual numbers and music-video-like sync. Music video becomes more than a way of selling songs. YouTube's brief, low-res clips encompass many…
The Oxford Handbook of New Audiovisual Aesthetics
This volume offers new ways to read the audiovisual. In the media landscapes of today, conglomerates jockey for primacy and the Internet increasingly places media in the hands of individuals - producing the range of phenomena from movie blockbuster to YouTube aesthetics. Media forms and genres are proliferating and interpenetrating, from movies, music, and other entertainments streaming on computers and iPods to video games and wireless phones. '…
The Oxford Handbook of Sound and Image in Digital Media
This text surveys the contemporary landscape of audiovisual media. This book volume look not only to changes brought by digital innovations, but to the complex social and technological past that informs, and is transformed by, new media. This collection is conceived as a series of dialogues and inquiries by leading scholars from both image- and sound-based disciplines. Chapters explore the history and the future of moving-image media across a ran…
Dangerous Mediations
"In 2007, an unlikely troupe of 1500 Filipino prisoners became Internet celebrities after their YouTube video of Michael Jackson's ground-breaking hit 'Thriller' went viral. Taking this spectacular dance as a point of departure, Dangerous Mediations explores the disquieting development of prisoners performing punishment to a global, online audience. Combining analysis of this YouTube video with first-hand experiences from fieldwork in the Philipp…
Transmedia Directors
Transmedia Directors focuses on artist-practitioners who work across media, platforms, and disciplines, including film, television, music video, commercials, and the internet. Working in the age of media convergence, today's em/impresarios project a distinctive style that points toward a new contemporary aesthetics. The media they engage with enrich their practices - through film and television (with its potential for world-building and sense of …
Art (13 works) · Visual arts (11 works) · Aesthetics (9 works) · Cinema and Media Studies (7 works) · Computer Science (7 works) · Literature (7 works) · Music History and Culture (6 works) · Psychology (5 works) · Sociology (5 works) · Movie theater (4 works)