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Soundtracks of citizenship

Social and political genealogies of Moroccan hip hop

Bibliographic Data

ID4749767
AuthorsZakia Salime (Sociology and Women’s, Gender and Sexuality Studies, Rutgers University, New Brunswick, NJ, USA, corresponding author)
Year2024
Volume29
Issue1
Pages131-152
Publication date2024-01-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueThe Journal of North African Studies (JOURNAL)
Journal identifiersISSN: 1362-9387 • E-ISSN: 1743-9345
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/13629387.2022.2089125
OpenAlexW4283034391
LanguageEN
Citations received3
References cited12

Since the 1990s, Hip hop created unique platforms for reclaiming the nation and forging citizenship desires. I explore this blending of citizenship desires into soundtracks and lyrics as a pedagogy of citizenship that hip hop artists activated through songs, role modelling, and the forging of creative spaces in which responsible citizenship is defined and enacted. I first highlight hip hop as a new field of identification and diasporic imagination for the first generation of Hip hop artists in the 1990s. Before analyzing the lyrics of a few tracks, I stress the social and political genealogy of Moroccan rap to illustrate the rappers’ articulation of national belonging in the context of Islamization of public discourse and the global fight against terror. Hip hop has shaped new spaces for the pedagogical enacting of citizenship engagements in music, fashion, and community engagement

Aesthetics · Art · Articulation (sociology · Citizenship · Context (archaeology · Literature · Lyrics · Political science · Politics · Popular music · Sociology · Visual arts · Caribbean history, culture, and politics · Diaspora, migration, transnational identity · Gender Studies · History · Law · Music History and Culture

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Unique citing works3
Citations per year3
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 3

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