I Vote I Sing”
The Rise of Aesthetic Citizenship in Morocco
Bibliographic Data
| ID | 8970360 |
|---|---|
| Authors | Zakia Salime (Gender Studies, corresponding author) |
| Year | 2015 |
| Volume | 47 |
| Issue | 1 |
| Pages | 136-139 |
| Publication date | 2015-02-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | International Journal Middle East Studies (JOURNAL) |
| Journal identifiers | ISSN: 0020-7438 • E-ISSN: 1471-6380 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0020743814001494 |
| OpenAlex | W2157155588 |
| Language | EN |
| Citations received | 6 |
| References cited | 4 |
“We are all enraged. Why don't you arrest us?” chanted protestors in the courtroom during the trial of El-Haqed (the enraged), a twenty-four-year-old rapper from Casablanca. El-Haqed is an active member of the 20 February movement (Feb20), which extended the 2011 North African uprisings to Morocco. Many believe that the civil charges brought several times against him are related to his political activism with Feb20 and his daring lyrics. El-Haqed's song “Long Live the People” is thought to be behind his first arrest because it disrupts the phrase “Long Live the King.” In June 2014, El-Haqed was sentenced to prison for the first time for a period of four months. While attending a sports match, he was arrested on charges of selling tickets on the black market. His multiple arrests, and Feb20 members’ sustained mobilizations against them, reveal that the rapper is not only an iconic figure for youth protesters, but also one of their greatest rallying forces
Ancient history · Art · Citizenship · Literature · Lyrics · Political science · Politics · Prison · Anthropological Studies and Insights · History · Law · Middle East and Rwanda Conflicts · North African History and Literature
| Unique citing works | 6 |
|---|---|
| Citations per year | 0,55 |
| Citation span | 2015 - 2025 (11) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 6 |